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Books > Social sciences > Sociology, social studies > Gender studies > Women's studies
Twenty Years at Hull House, by the acclaimed memoir of social
reformer Jane Addams, is presented here complete with all
sixty-three of the original illustrations and the biographical
notes. A landmark autobiography in terms of opening the eyes of
Americans to the plight of the industrial revolution, Twenty Years
at Hull House has been applauded for its unflinching descriptions
of the poverty and degradation of the era. Jane Addams also details
the grave ill-health she suffered during and after her childhood,
giving the reader insight into the adversity which she would
re-purpose into a drive to alleviate the suffering of others. The
process by which Addams founded Hull House in Chicago is detailed;
the sheer scale and severity of the poverty in the city she and
others witnessed, the search for the perfect location, and the
numerous difficulties she and her fellow activists encountered
while establishing and maintaining the house are detailed.
One of NPR's Best Books of 2017 The first in-depth social
investigation into the development and rising popularity of Botox
The American Society for Aesthetic Plastic Surgery estimates there
are about two-and-a-half million Botox procedures performed
annually, and that number continues to increase. The procedure is
used as a preventive measure against aging and a means by which
bodies, particularly women's, can be transformed and "improved"
through the appearance of youth. But why is Botox so popular, and
why is aging such a terrifying concept? Botox Nation draws from
engaging, in-depth interviews with Botox users and providers as
well as Dana Berkowitz's own experiences receiving the injections.
The interviews reveal the personal motivations for using Botox and
help unpack how anti-aging practices are conceived by, and resonate
with, everyday people. Berkowitz is particularly interested in how
Botox is now being targeted to younger women; since Botox is a
procedure that must be continually administered to work, the
strategic choice to market to younger women, Berkowitz argues, aims
to create lifetime consumers. Berkowitz also analyzes magazine
articles, advertisements, and even medical documents to consider
how narratives of aging are depicted. She employs a critical
feminist lens to consider the construction of feminine bodies and
selves, and explores the impact of cosmetic medical interventions
aimed at maintaining the desired appearance of youth, the culture
of preventative medicine, the application of medical procedures to
seemingly healthy bodies, and the growth and technological
advancement to the anti-aging industry. A captivating and critical
story, Botox Nation examines how norms about bodies, gender, and
aging are constructed and reproduced on both cultural and
individual levels.
Women have been represented in art, literature, music, and more for
decades, with the image of the woman changing through time and
across cultures. However, rarely has a multidisciplinary approach
been taken to examine this imagery and challenge and possibly
reinterpret old women-related myths and other taken-for-granted
aspects (e.g., grammatically inclusive gender). Moreover, this
approach can better place the ideologies as myth creators and
propagators, identify and deconstruct stereotypes and prejudices,
and compare them across cultures with the view to spot universal
vs. culturally specific approaches as far as women's studies and
interpretations are concerned. It is important to gather these
perspectives to translate and unveil new interpretations to old
ideas about women and the feminine that are universally accepted as
absolute, impossible to challenge, and invalidated truths. The
Handbook of Research on Translating Myth and Reality in Women
Imagery Across Disciplines is a comprehensive reference book that
provides an interdisciplinary and multidisciplinary perspective on
the perception and reception of women across time and space. It
tackles various perspectives: gender studies, linguistic studies,
literature and cultural studies, discourse analysis, philosophy,
anthropology, sociology, etc. Its main objective is to present new
approaches and propose new answers to old questions related to
gender inequalities, stereotypes, and prejudices about women and
their place in the world. Covering significant themes that include
the ethics of embodiment, myth of motherhood at the crossroad of
ideologies, translation of women's experiences and ideas across
cultures, and discourses on women's rehabilitation and
dignification across centuries, this book is critical for
linguists, professionals, researchers, academicians, and students
working in the fields of women's studies, gender studies, cultural
studies, and literature, as well as other related categories such
as political studies, education studies, philosophy, and the social
sciences.
Since the 1980s the number of women regularly directing films has
increased significantly in most Western countries: in France,
Claire Denis and Catherine Breillat have joined Agnes Varda in
gaining international renown, while British directors Lynne Ramsay
and Andrea Arnold have forged award-winning careers in feature
film. This new volume in the Thinking Cinema series draws on
feminist theorists and critics from Simone de Beauvoir on to offer
readings of a range of the most important and memorable of these
films from the 1990s and 2000s, focusing as it does so on how the
films convey women's lives and identities.Mainstream entertainment
cinema traditionally distorts the representation of women,
objectifying their bodies, minimizing their agency,and avoiding the
most important questions about how cinema can 'do justice' to
female subjectivity: Kate Ince suggests that the films of
independent women directors are progressively redressing the
balance, and thereby reinvigorating both the narratives and the
formal ambitions of European cinema. Ince uses feminist
philosophers to cast a new veil over such films as Sex Is Comedy,
Morvern Callar, White Material, and Fish Tank; and includes a
timeline ofdevelopments in women's film-making and feminist film
theory from 1970 to 2011.
From writer and veteran columnist Jennifer Grant comes an unflinching and spirited look at the transitions of midlife.
When Did Everybody Else Get So Old? plumbs the physical, spiritual, and emotional changes unique to the middle years: from the emptying nest to the physical effects of aging. Grant acknowledges the complexities and loss inherent in midlife and tells stories of sustaining disappointment, taking hard blows to the ego, undergoing a crisis of faith, and grieving the deaths not only of illusions but of loved ones. Yet she illuminates the confidence and grace that this season of life can also bring.
Magnetic, good-humored, and full of hope in the sustaining power of the Spirit, this is a must-read for anyone facing the flux and flow of middle age.
This compelling study of the American public's response to the fate
of accused murderer Hattie Woolsteen uses this legal case to
examine the complexities of gender history and societal fears about
the changing roles of women during the Victorian era. In October of
1887, a young woman named Hattie Woolsteen was accused of murdering
her married lover, Los Angeles dentist Charles Harlan. The
subsequent trial captivated the public as few incidents had done
before. The idea of a female murderer was particularly disturbing
in 19th-century America, and the public quickly labeled her a fiend
and a "she-devil." But despite the overwhelming evidence against
the accused, Hattie Woolsteen was not only acquitted of the charge,
but emerged as the victim in this sordid drama. As the public
grappled with the details of Hattie's alleged crime, she became a
symbol of female victimization and gender inequality-as well as an
unlikely champion of women's rights. This book provides the
fascinating and lurid details of the Hattie Woolsteen murder case
within the context of 19th-century American social history,
allowing readers to view this event in historical perspective. Its
chapters examine the various factors that influenced public opinion
about the case and its outcome, including Victorian attitudes about
gender roles and women's place in American society as well as
sexuality and crime, common concerns about the societal
consequences of rapid urbanization, the power of the Victorian-era
press in shaping public opinion, and the subjective nature of the
criminal justice system in that time period. Provides a solid
introduction to women's/gender history that explains the nuances of
shifting attitudes regarding gender roles and women's place in
American society at the end of the 19th century Enables an
understanding of 19th-century anxieties about rapid urbanization
and the attendant perceived breakdown of community as well as how
law enforcement of the period-then in its infancy-was subject to
political influence and societal expectations Underscores the role
of the press in shaping public attitudes about community values and
ideals, documenting how the news during the Victorian era was big
business and objectivity was not a priority-not unlike today's
media
Gender and diversity is a crucial area that requires more attention
in multiple academic settings. As more women progress into
leadership positions in academia, it becomes necessary to develop
solutions geared specifically toward success for females in such
environments. Challenges Facing Female Department Chairs in
Contemporary Higher Education: Emerging Research and Opportunities
is a key source on the latest challenges and opportunities for
women heading academic departments in university settings,
exploring the support available to female department chairs, and
first-hand experiences and lessons learned in field. Featuring
extensive coverage across a range of relevant perspectives and
topics, such as gender challenges, management techniques, and
professional development, this book is a critical source for
academics, practitioners, and researchers.
Existent literature has identified the existence of some
differences between men and women entrepreneurs in terms of
propensity to innovation, approach to creativity, decision making,
resilience, and co-creation. Without properly examining the current
inequalities in social-economic structures, it is difficult to
examine the results of corporate female leadership. The Handbook of
Research on Women in Management and the Global Labor Market is a
pivotal reference source that examines the point of convergence
among entrepreneurship organizations, relationship, creativity, and
culture from a gender perspective, and researches the relation
between current inequalities in social-economic structures and
organizations in the labor market, education and individual skills,
wages, work performance, promotion, and mobility. While
highlighting topics such as gender gap, woman empowerment, and
gender inequality, this publication is ideally designed for
managers, government officials, policymakers, academicians,
practitioners, and students.
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