What Is Driving Women to Drug Use is about pretreatment relapse triggers among women addicted to street drugs, prescription drugs, and alcohol. Women are affected by different pretreatment relapse triggers, contributing to repeated relapse. Dr. Richard Corker-Caulker provides insight for personal understanding into why women relapse and what you can do to help. Dr. Corker-Caulker describes women's pretreatment relapse triggers, as well as how to assess the triggers, identify, analyze, and take appropriate response to help through a qualitative therapy approach that he developed. This guide is a very useful tool to help respond to any person or love ones with addiction problems. Therapists, psychologists, doctors, drug courts, colleges, clinics, policy makers, and program managers working with addiction clients can learn how to focus treatment on pretreatment relapse triggers to prevent repeated relapse. Pretreatment relapse triggers using qualitative therapy approach for assessment, analysis, and planning intervention is a new direction in addiction treatment.

Politics constructs gender and gender constructs politics: this is a central theme in this collection of essays which seek not only to write a history that focus on women's experiences but seeks also to analyse those dynamic forces that have shaped that history.It examines the 'making' of the other half of the working class - women - as workers, trade unionists and political activists, and seeks to weave together intricate relationship between class and gender, particular within the process of industrialization. It is because the class/gender relationship has often been either ignored or misunderstood that it has been possible to write general histories of the labour movement in which women are hardly mentioned. Featuring contributions from leading and up-and-coming women labour historians, essays are in three sections: the labour market/work (typical and atypical); trade unions; and politics

Growing up in Poland in the 1930s, Rita Braun had many hopes and dreams for the future. When she was nine years old, however, World War II touched her once-idyllic life, transforming paradise on earth into an indescribable hell. In Fragments of my Life, Braun tells her story--from her birth in 1930 to living in Brazil today, where she works to ensure no one forgets the more than six million Jewish people who lost their lives during the Holocaust.

Including many photos, Fragments of my Life provides firsthand insight into the horrors of the war. As a nine-year old on her school vacation, Braun watched as military aircraft streaked across the skies above her parents' farm. She never imagined they would leave behind much more than a trail of smoke. This memoir details what she experienced as a Jewish girl trying to stay alive during World War II. Braun describes watching the selection process and deportation of friends and family, living under both Russian and German rule, using a fake identity, surviving in a gated and guarded ghetto, escaping and hiding for her life, and witnessing the many tragedies of war.

Candid and detailed, Fragments of my Life chronicles one survivor's experiences from a woman of the final generation who can say, "I lived through the Holocaust."

"I'm glad I'm alive."

Doris Louise Bailey, a teen in the Prohibition era, writes this sentiment over and over in her diaries as she struggles with a life-threatening bout of scarlet fever. But it's also an apt summation of how she lived in the years following her brush with death. Reaching for the Moon: More Diaries of a Roaring Twenties Teen (1927-1929) contains Doris's true-life adventures as she flirts with boys, sneaks sips of whiskey and bets on racehorses - breaking rules and hearts along the way. In Portland, Oregon, she's the belle of the ball, enjoying the attention of several handsome gents. In Arizona, she rides a wild strawberry roan, winning races and kissing cowboys. From hospital wards and petting parties to rodeos and boarding school, this older, more complex Doris faces the dawning of the Depression and her own emergence as a young adult with even more humor, passion and love of life than she showed in her earlier diaries. Readers of all ages will relate to her pursuit of true love, freedom, and adventure in her own time and on her own terms.

Hope appears to be a typical young Christian woman at a Christian college, but behind the door of her dorm lies a secret life of past abuse, depression, eating disorders and self-mutilation. When her secrets become known, the past and present collide, and Hope finds her life spiraling out of control. Disowned and homeless, Hope realizes that, while she's known about God her entire life, she has never really understood unconditional love. Determined, and with a new-found faith, Hope returns home, attempting to reconcile with her family, and embarks on a journey of learning to find hope through life's roughest storms. Can Hope find acceptance and love? Can she sort through the lies she's learned, and find the truth of who she is, and who God is? Will the scars of past hurts ever fade, and allow her to have peace? From the mirror in her college dorm, to the mirror in her home today, follow Hope's journey of self-discovery, as she realizes her own strength, and allows her heart to heal.

Throughout history certain forms and styles of dress have been deemed appropriate - or more significantly, inappropriate - for people as they age. Older women in particular have long been subject to social pressure to tone down, to adopt self-effacing, covered-up styles. But increasingly there are signs of change, as older women aspire to younger, more mainstream, styles, and retailers realize the potential of the 'grey market'. Fashion and Age is the first study to systematically explore the links between clothing and age, drawing on fashion theory and cultural gerontology to examine the changing ways in which age is imagined, experienced and understood in modern culture through the medium of dress. Clothes lie between the body and its social expression, and the book explores the significance of embodiment in dress and in the cultural constitution of age. Drawing on the views of older women, journalists and fashion editors, and clothing designers and retailers, it aims to widen the agenda of fashion studies to encompass the everyday dress of the majority, shifting the debate about age away from its current preoccupation with dependency, towards a fuller account of the lived experience of age. Fashion and Age will be of great interest to students of fashion, material culture, sociology, sociology of age, history of dress and to clothing designers.

In Dilemmas of Adulthood, Nancy Rosenberger investigates the nature of long-term resistance in a longitudinal study of more than fifty Japanese women over two decades. Between 25 and 35 years of age when first interviewed in 1993, the women represent a generation straddling the stable roles of post-war modernity and the risky but exciting possibilities of late modernity. By exploring the challenges they pose to cultural codes, Rosenberger builds a conceptual framework of long-term resistance that undergirds the struggles and successes of modern Japanese women. Her findings resonate with broader anthropological questions about how change happens in our global-local era and suggests a useful model with which to analyse ordinary lives in the late modern world. Rosenberger's analysis establishes long-term resistance as a vital type of social change in late modernity where the sway of media, global ideas, and friends vies strongly with the influence of family, school, and work. Women are at the nexus of these contradictions, dissatisfied with post-war normative roles in family, work, and leisure and yet-in Japan as elsewhere-committed to a search for self that shifts uneasily between self-actualization and selfishness. The women's rich narratives and conversations recount their ambivalent defiance of social norms and attempts to live diverse lives as acceptable adults. In an epilogue, their experiences are framed by the aftermath of the 2011 earthquake and tsunami, which is already shaping the future of their long-term resistance. Drawing on such theorists as Ortner, Ueno, the Comaroffs, Melucci, and Bourdieu, Rosenberger posits that long-term resistance is a process of tense, irregular, but insistent change that is characteristic of our era, hammered out in the in-between of local and global, past and future, the old virtues of womanhood and the new virtues of self-actualization. Her book is essential for anyone wishing to understand how Japanese women have manoeuvred their lives in the economic decline and pushed for individuation in the 1990s and 2000s.

Italian Women Writers, 1800-2000: Boundaries, Borders, and Transgression investigates narrative, autobiography, and poetry by Italian women writers from the nineteenth century to today, focusing on topics of spatial and cultural boundaries, border identities, and expressions of excluded identities. This book discusses works by known and less-known writers as well as by some new writers: Sibilla Aleramo, La Marchesa Colombi, Giuliana Morandini, Elsa Morante, Neera, Matilde Serao, Ribka Sibhatu, Patrizia Valduga, Annie Vivanti, Laila Waida, among others; writers who in their works have manifested transgression to confinement and entrapment, either social, cultural, or professional; or who have given significance to national and transnational borders, or have employed particular narrative strategies to give voice to what often exceeds expression. Through its contributions, the volume demonstrates how Italian women writers have negotiated material as well as social and cultural boundaries, and how their literary imagination has created dimensions of boundary-crossing.