This book examines the important social role of charitable institutions for women and children in late Renaissance Florence. Wars, social unrest, disease, and growing economic inequality on the Italian peninsula displaced hundreds of thousands of families during this period. In order to handle the social crises generated by war, competition for social position, and the abandonment of children, a series of private and public initiatives expanded existing charitable institutions and founded new ones. Philip Gavitt's research reveals the important role played by lineage ideology among Florence's elites in the use and manipulation of these charitable institutions in the often futile pursuit of economic and social stability. Considering families of all social levels, he argues that the pursuit of family wealth and prestige often worked at cross-purposes with the survival of the very families it was supposed to preserve.

During the Progessive Era, a period of unprecedented ingenuity, women evangelists built the old time religion with brick and mortar, uniforms and automobiles, fresh converts and devoted proteges. Across America, entrepreneurial women founded churches, denominations, religious training schools, rescue homes, rescue missions, and evangelistic organizations. Until now, these intrepid women have gone largely unnoticed, though their collective yet unchoreographed decision to build institutions in the service of evangelism marked a seismic shift in American Christianity. In this ground-breaking study, Priscilla Pope-Levison dusts off the unpublished letters, diaries, sermons, and yearbooks of these pioneers to share their personal tribulations and public achievements. The effect is staggering. With an uncanny eye for essential details and a knack for historical nuance, Pope-Levison breathes life into not just one or two of these women--but two dozen. The evangelistic empire of Aimee Semple McPherson represents the pinnacle of this shift from itinerancy to institution building. Her name remains legendary. Yet she built her institutions on the foundation of the work of women evangelists who preceded her. Their stories--untold until now--reveal the cunning and strength of women who forged a path for every generation, including our own, to follow. Priscilla Pope-Levison is Professor of Theology and Assistant Director of Women's Studies at Seattle Pacific University. Her previous books include Sex, Gender, and Christianity; Turn the Pulpit Loose: Two Centuries of American Women Evangelists; Return to Babel: Global Perspectives on the Bible; Jesus in Global Contexts; and Evangelization in a Liberation Perspective.

Knowing is a process, not an arrival. "The Place of Knowing: A Spiritual Autobiography" celebrates the spiritual-both seen and unseen-through the life of acclaimed writer and devout Mormon Emma Lou Warner Thayne.

In this insightful, eloquently written memoir, Emma Lou-author of thirteen books of poetry, essays, and fiction-shares poignant personal anecdotes that begin with a terrifying near-death experience when, without warning, a six-pound iron rod smashed through a car windshield into her face. As she narrates her journey through her recovery process, she reflects on previous life experiences-from the daily to the sublime. Through both example and insight, she shares adventures while offering a calming presence for those who may fear death, yearn to know how to celebrate life, and crave direction on how to access the wonders of the divine.

For anyone who has wondered about life after death or who desires a better understanding of his or her divine self, "The Place of Knowing" will inspire spiritual seekers everywhere to reach out in friendship to others and to embrace new experiences-ultimately discovering themselves in the process.

This is a timely collection exploring the politics of female celebrity across a range of contemporary, historical, media and national contexts. "In the Limelight and Under the Microscope" is a timely collection exploring the politics of female celebrity across a range of contemporary, historical, media and national contexts. Amidst concerns about the apparent 'decline' in the currency of modern fame ('famous for being famous'), as well as debates about the shifting parameters of public/private visibility, it is female celebrities who are positioned as the most active discursive terrain. This collection seeks to interrogate such phenomena by forging a greater conceptual, theoretical and historical dialogue between celebrity studies and critical gender studies. It takes as its starting point the understanding that female celebrity is a particularly fraught cultural phenomenon with ideological and industrial implications that warrant careful scrutiny. In moving across case studies from the 19th century to the present day, this book works from the assumption that the case study should play a crucial role in generating debate about the dialogue between 'past' and 'present', and the individual essays will seek to reflect this spirit of enquiry.

"The Concise Companion to Feminist Theory" introduces readers to the broad scope of feminist theory over the last 35 years.
Introduces readers to the broad scope of feminist theory over the past 35 years.
Guides students along the cutting edge of current feminist theory.
Suitable for students and scholars of all fields touched by feminist thought.
Covers an exceptionally broad range of disciplines, discourses and feminist positions.
Organised around concepts rather than schools of feminism.

I HAVE BEEN AWARE OF A DIFFERENT KIND OF WOMAN IN A.A. YEARS AGO, INFORMATION ABOUT AN ALCOHOLIC WOMAN, WERE VERY DISMAL. WORDS SUCH AS: "DEVIANT BEHAVIOR." THOSE ARE HARDLY WORDS THAT WOULD MAKE A WOMAN WANT TO GET SOBER. LABELS LIKE THAT ARE FRIGHTENING AND ARE FILLED WITH SHAME. I HAVE THOUGHT FOR TOO LONG WE NEED A BETTER AND TRUER IMAGE OF WHAT WE PERCEIVE AS A WOMAN ALCOHOLIC. THAT IS WHEN I THOUGHT OF THIS BOOK. IT IS A WAY TO GET AN INSIDE LOOK AT THE SOBER WOMEN AND THEIR STORIES. THANKFULLY THEY ARE WILLING TO SHARE THEM WITH YOU. THEY DO THIS IN THE HOPE OF HELPING SOMEONE OUT THERE WHO IS STILL SUFFERING WITH ADDICTIONS, THAT THEY THEMSELVES, ARE FAMILIAR WITH. THESE STORIES WILL GIVE A NEW PERSPECTIVE OF WHAT A RECOVERING WOMAN LOOKS LIKE. SOBER WOMEN ARE POWERFUL IN, HOME LIFE, BUSINESS, POLITICS, COMMUNITY ACTIVITIES, ETC. I FIND AN INTELLIGENT, TALENTED, CARING. POWERFUL GROUP OF WOMEN, IN THE AA PROGRAM. COURAGEOUS ALSO, (EVIDENT IN THE FOLLOWING STORIES). YOU MAY BE AMAZED AT THE OBSTACLES IN THEIR LIVES, BEFORE AND AFTER SOBRIETY. BY THE GRACE OF GOD AND THE THE AA PROGRAM THEY HAVE FOUND A NEW DIMENSION

Unconditional Praise is a book that will bring you into the realization of what authentic praise and worship really should be and it will put your thinking in line with the word of God concerning praise and worship. This book feeds your spirit man and challenges your character. Can you stand to praise God no matter what condition you are in? This book unlocks answers to praise and worship that will help you in a closer walk with God and trusting God.

Tornado warnings were posted in Canton, Ohio, on the night of author Cherie Kirby Hill Wren's birth in 1943. The storm was just a normal occurrence, but she can't help think it was a precursor of her life to come.

In "Speed Bumps and Angels, " Wren recaps the storms and speed bumps she has experienced in her life: nearly drowning when she was just two years old; being hit by a car; getting jilted, twice; running away from home and marrying a man who was abusive and ultimately tried to kill her; developing type 2 diabetes; being diagnosed with benign essential blepharospasm; having her mitral and aortic valves replaced; gaining a pacemaker; and enduring pulmonary hypertension.

In this memoir, Wren shows how these bumps served their purpose. First, they slowed her down so she didn't run out of control. Second, they gave her a little jolt, sometimes back to reality. Third, they kept her from getting too complacent. She shows that by conquering challenges, we grow and learn. We are here for a purpose, and by living each day to the fullest we can, knowingly or unknowingly, accomplish that purpose.

This book is a true story of a single mom who, by the grace of God, became a certified registered nurse anesthetist. After many trials and tribulations, she has learned how to forgive and move on to become the woman God wants her to be.

Being a parent is a lifetime job. No one knows that more than Eddie Marie Durham, mother of three adult sons. In her guidebook filled with practical parenting advice, Durham shares not only her personal experiences but also poetry, scripture, and quotes in order to help parents find their way down what can be a very challenging road while raising children in today's world. Durham, a retired elementary school teacher, has always relied on God's guidance and her family values to carry her through difficult times while parenting her children. Guided by these principles, Durham leads others chronologically through her experiences, both good and bad, while offering wisdom and encouragement to other parents that will help them respect one another, talk to children about expectations and consequences, carry out discipline, allow children to grow and mature, be active with children in all facets of life, and lean on their faith for strength. While Being a Parent shares time-tested advice from a blessed mother that will help other parents attain the greatest reward in life: mentoring a child into a productive, loving adult.

This book is a collection of feminist childhood studies stories from field research with educators, young children, and/or early childhood student-educators that explores the challenges, tensions, and possibilities of common worlds research methods for the 21st century. Grounded in a common worlding orientation, the contributing authors grapple with complex methodological understandings within postqualitative practices within settler colonial states: Australia, Canada, South Africa, and the Unites States. Each chapter presents a method the authors have put to work in their efforts to unsettle the interpretative power of Euro-Western developmental knowledges and anthropocentric frameworks to reimagine research amid the colonialist, social, and environmental challenges we face today. The research(ing) stories act as provocations for generating innovative, relational, and emergent methods to attend to the complexity of 21st-century childhoods. Just as developmental and sociological perspectives gave birth to new forms of inquiry within childhood studies in 19th-century industrialization and 20th-century urban change respectively, the 21st-century requires novel questions, practices, and methodologies to enhance the childhood studies lexicon. In the field ofchildhood studies, where settler colonial and neoliberal logics have so much clout, suchstrategies are crucial. Feminist Research for 21st-century Childhoods is an important and relevant read for anyone working and researching with children.

Passionate, freethinking existentialist philosopher-writers Simone de Beauvoir and Jean-Paul Sartre are one of the world's legendary couples. Their committed but notoriously open union generated no end of controversy in their day. Biographer Hazel Rowley offers the first dual portrait of these two colossal figures and their intense, often embattled relationship. Through original interviews and access to new primary sources, Rowley portrays Sartre and Beauvoir up close.

"Tete-a-Tete" magnificently details the passion, daring, humor, and contradictions of a remarkably unorthodox relationship.

A nonfiction investigation into masculinity, For The Love of Men provides actionable steps for how to be a man in the modern world, while also exploring how being a man in the world has evolved.

In 2019, traditional masculinity is both rewarded and sanctioned. Men grow up being told that boys don’t cry and dolls are for girls (a newer phenomenon than you might realize―gendered toys came back in vogue as recently as the 80s). They learn they must hide their feelings and anxieties, that their masculinity must constantly be proven. They must be the breadwinners, they must be the romantic pursuers. This hasn’t been good for the culture at large: 99% of school shooters are male; men in fraternities are 300% (!) more likely to commit rape; a woman serving in uniform has a higher likelihood of being assaulted by a fellow soldier than to be killed by enemy fire.

In For the Love of Men, Liz offers a smart, insightful, and deeply-researched guide for what we're all going to do about toxic masculinity. For both women looking to guide the men in their lives and men who want to do better and just don’t know how, For the Love of Men will lead the conversation on men's issues in a society where so much is changing, but gender roles have remained strangely stagnant.

What are we going to do about men? Liz Plank has the answer. And it has the possibility to change the world for men and women alike.

During the first few days of the Spanish Civil War, women played an integral role in the spontaneous uprising that prevented the immediate success of the Nationalist coup. Around one thousand of these women went on to join the militias who fought at the front. Women also played an important role in the defense of cities, with another several thousand forming sections of the armed rearguard. Indeed, women s participation in the anti-fascist resistance constituted one of the greatest mass political mobilizations of women in Spain s history. Milicianas provides a comprehensive picture of what life was like for the women who fought during the first year of the civil war, focusing on how the women themselves viewed this experience. It demonstrates that the significance of the miliciana phenomenon lies in the fact that these women took up arms in relatively large numbers, were self-motivated, participated in combat equally with their male comrades, and played an extensive and sophisticated military role. By late 1936, attitudes towards women in combat began to change drastically, and by March 1937, the majority of milicianas had been removed from their combat positions. Though there existed a consensus around this issue among the male leadership of both the Republican government and left-wing political groups, female combatants viewed this turn of events differently. The majority of the milicianas had deep reservations about their recall from the front, and saw it as a retreat from the gains women had made during the war and revolution. Indeed, while the political leadership within the Republic presented numerous arguments for why it was necessary to remove women from combat, this book argues that the reason it was initially considered acceptable for women to fight, and then seen as undesirable eight months later, was connected to the course of the social revolution.

One a lyric "confessional" poet and essayist, the other a jazz "spoken-word" performance artist, Adrienne Rich and Jayne Cortez were American feminist superheroes who produced extensive bodies of poetic work that reveal strangely overlapping visions, but in radically different voices and poetic styles. This book reconsiders the poetry activism of Cortez and Rich side-by-side, engaging poetics theory, cultural studies, and popular media in its literary analyses. A collection of eight integrated chapters by multiple poetry critics, as well as an artist-statement narrative by Wonder Woman sculptor Linda Stein, the book focuses upon the voice of bravado, the various calls for global justice, and Third Wave feminist "intersectional" critiques all embodied within these two women's poetic texts. The book also examines the twentieth-century figure of the American superhero, particularly Wonder Woman, bringing popular-culture studies into conversation with literary criticism, as well as visual art through the inclusion of Stein's commentary and illustrations. This beautiful and compelling book experiments with the festschrift concept by inviting multiple and competing disciplinary views on U.S. feminist poetics, women's art and aesthetics, racial and sexual identities, as well as politics and performance-all in tribute to the power of poetry by Cortez and Rich.

This book presents the first feminist translation of Rosalia de Castro's seminal poetic anthology En las orillas del Sar [On the Edge of the River Sar] (1884). Rosalia de Castro (1837-1885) was an artist of vast poetic vision. Her understanding of human nature and her deep sensitivity to the injustices suffered by women and by such marginalized peoples as those of her native region, Galicia, are manifest in verses of universal yet rarely translated significance. An outspoken proponent of both women's rights and her region's cultural and political autonomy, Castro used her poetry as a vehicle through which to decry the crushing hardships both groups endured as Spain vaulted between progressive liberal and conservative reactionary political forces throughout the nineteenth century. Depending upon what faction held sway in the nation at any given time during Castro's truncated literary career, her works were either revered as revolutionary or reviled as heretical for the views they espoused. Long after her death by uterine cancer in 1885, Castro was excluded from the pantheon of Spanish literature by Restoration society for her unorthodox views. Compellingly, the poet's conceptualization of the individual and the national self as informed by gender, ethnicity, class, and language echoes contemporary scholars of cultural studies who seek to broaden present-day definitions of national identity through the incorporation of precisely these same phenomena. Thanks to the most recent works in Rosalian and Galician studies, we are now able to recuperate and reevaluate Rosalia de Castro's poems in their original languages for the more radical symbolism and themes they foreground related to gender, sexuality, race and class as they inform individual and national identities. However, although Castro's poetic corpus is widely accessible in its original languages, these important features of her verses have yet to be given voice in the small number of English translations of only a sub-set of her works that have been produced in the last century. As a result, our understanding of Castro's potential contributions to contemporary world poetries, gender studies, Galician and more broadly cultural studies is woefully incomplete. An English translation of Castro's works that is specifically feminist in its methodological orientation offers a unique and thought-provoking means by which to fill this void.