This groundbreaking book challenges the medicalized approach to women's experiences including menstruation, pregnancy, and menopause and suggests that there are better ways for women to cope with real issues they may face. Before any woman diets, douches, botoxes, reduces, reconstructs, or fills a prescription for antidepressants, statins, hormones, menstrual suppressants, or diet pills, she should read this book. Contesting common medical practice, the book addresses the many aspects of women's lives that have been targeted as "deficient" in order to support the billion-dollar profits of the medical-pharmacological industry and suggests alternatives to these "remedies." The contributors-psychologists, sociologists, and health experts-are also gender experts and feminist scholars who recognize the ways in which gender is an important aspect of the human experience. In this eye-opening work, they challenge the marketing and "science" that increasingly render women's bodies and experiences as a series of symptoms, diseases, and dysfunctions that require treatment by medical professionals who prescribe pharmaceutical and surgical interventions. Each article in the book addresses the marketing of a specific "condition" that has been constructed in a way that convinces a woman that her body is inadequate or her experience and behavior are not good enough. Among the topics addressed are menstruation, menopause, pregnancy, post-partum adjustment, sexual desire, weight, body dissatisfaction, moodiness, depression, grief, and anxiety. Addresses popular topics including the "thin ideal," the health realities of weight, cosmetic surgery, birth as a medical emergency, sexual desire and menopause, depression, and mourning Critiques the "science" and marketing that sees all women's complaints as symptoms, diseases, and dysfunctions requiring medical treatment Explains how psychological and social factors affect women's health and argues for a more well-founded approach such as using talk therapy first Explains why events like menopause, sexual desire, body dissatisfaction, and grief are examples of issues often not best treated with drugs, but with psychotherapy for permanent resolution Will appeal to all adult women who might, or do, question current medical approaches and media promises

In the last five years, the feminist movement has seen a radical upswell of energy and activism. We have been inspired by #LeanIn, we have found solidarity in #MeToo. We've pushed one another to be stronger and try harder. Caroline Criado-Perez's landmark book of feminist inspiration introduces us to the pioneers who motivated us to do it like a woman, including a female fighter pilot in Afghanistan; a Chilean revolutionary; the Russian punks who rocked out against Putin; and the Iranian journalist who dared to uncover her hair. This is a brilliant, necessary manifesto for women everywhere.

Being a parent is a lifetime job. No one knows that more than Eddie Marie Durham, mother of three adult sons. In her guidebook filled with practical parenting advice, Durham shares not only her personal experiences but also poetry, scripture, and quotes in order to help parents find their way down what can be a very challenging road while raising children in today's world. Durham, a retired elementary school teacher, has always relied on God's guidance and her family values to carry her through difficult times while parenting her children. Guided by these principles, Durham leads others chronologically through her experiences, both good and bad, while offering wisdom and encouragement to other parents that will help them respect one another, talk to children about expectations and consequences, carry out discipline, allow children to grow and mature, be active with children in all facets of life, and lean on their faith for strength. While Being a Parent shares time-tested advice from a blessed mother that will help other parents attain the greatest reward in life: mentoring a child into a productive, loving adult.

During the Progessive Era, a period of unprecedented ingenuity, women evangelists built the old time religion with brick and mortar, uniforms and automobiles, fresh converts and devoted proteges. Across America, entrepreneurial women founded churches, denominations, religious training schools, rescue homes, rescue missions, and evangelistic organizations. Until now, these intrepid women have gone largely unnoticed, though their collective yet unchoreographed decision to build institutions in the service of evangelism marked a seismic shift in American Christianity. In this ground-breaking study, Priscilla Pope-Levison dusts off the unpublished letters, diaries, sermons, and yearbooks of these pioneers to share their personal tribulations and public achievements. The effect is staggering. With an uncanny eye for essential details and a knack for historical nuance, Pope-Levison breathes life into not just one or two of these women--but two dozen. The evangelistic empire of Aimee Semple McPherson represents the pinnacle of this shift from itinerancy to institution building. Her name remains legendary. Yet she built her institutions on the foundation of the work of women evangelists who preceded her. Their stories--untold until now--reveal the cunning and strength of women who forged a path for every generation, including our own, to follow. Priscilla Pope-Levison is Professor of Theology and Assistant Director of Women's Studies at Seattle Pacific University. Her previous books include Sex, Gender, and Christianity; Turn the Pulpit Loose: Two Centuries of American Women Evangelists; Return to Babel: Global Perspectives on the Bible; Jesus in Global Contexts; and Evangelization in a Liberation Perspective.

The body is a source of pleasure and of pain, at once hopelessly vulnerable and radiant with power. At a moment in which basic rights are once again imperilled, Olivia Laing conducts an ambitious investigation into the body and its discontents, using the life of the renegade psychoanalyst Wilhelm Reich to chart a daring course through the long struggle for bodily freedom, from gay rights and sexual liberation to feminism and the civil rights movement.

Drawing on her own experiences in protest and alternative medicine, and travelling from Weimar Berlin to the prisons of McCarthy-era America, she grapples with some of the most significant and complicated figures of the past century, among them Nina Simone, Christopher Isherwood, Andrea Dworkin, Sigmund Freud, Susan Sontag and Malcolm X.

Despite its many burdens, the body remains a source of power, even in an era as technologized and automated as our own. Everybody is an examination of the forces arranged against freedom and a celebration of how ordinary human bodies can resist oppression and reshape the world.

Western culture has long regarded black female sexuality with a strange mix of fascination and condemnation, associating it with everything from desirability, hypersexuality, and liberation to vulgarity, recklessness, and disease. Yet even as their bodies and sexualities have been the subject of countless public discourses, black women's voices have been largely marginalized in these discussions. In this groundbreaking collection, feminist scholars from across the academy come together to correct this omission--illuminating black female sexual desires marked by agency and empowerment, as well as pleasure and pain, to reveal the ways black women regulate their sexual lives.
The twelve original essays in "Black Female Sexualities" reveal the diverse ways black women perceive, experience, and represent sexuality. The contributors highlight the range of tactics that black women use to express their sexual desires and identities. Yet they do not shy away from exploring the complex ways in which black women negotiate the more traumatic aspects of sexuality and grapple with the legacy of negative stereotypes.
"Black Female Sexualities" takes not only an interdisciplinary approach--drawing from critical race theory, sociology, and performance studies--but also an intergenerational one, in conversation with the foremothers of black feminist studies. In addition, it explores a diverse archive of representations, covering everything from blues to hip-hop, from "Crash "to "Precious," from Sister Souljah to Edwidge Danticat. Revealing that black female sexuality is anything but a black-and-white issue, this collection demonstrates how to appreciate a whole spectrum of subjectivities, experiences, and desires.

This book examines the important social role of charitable institutions for women and children in late Renaissance Florence. Wars, social unrest, disease, and growing economic inequality on the Italian peninsula displaced hundreds of thousands of families during this period. In order to handle the social crises generated by war, competition for social position, and the abandonment of children, a series of private and public initiatives expanded existing charitable institutions and founded new ones. Philip Gavitt's research reveals the important role played by lineage ideology among Florence's elites in the use and manipulation of these charitable institutions in the often futile pursuit of economic and social stability. Considering families of all social levels, he argues that the pursuit of family wealth and prestige often worked at cross-purposes with the survival of the very families it was supposed to preserve.

This is a timely collection exploring the politics of female celebrity across a range of contemporary, historical, media and national contexts. "In the Limelight and Under the Microscope" is a timely collection exploring the politics of female celebrity across a range of contemporary, historical, media and national contexts. Amidst concerns about the apparent 'decline' in the currency of modern fame ('famous for being famous'), as well as debates about the shifting parameters of public/private visibility, it is female celebrities who are positioned as the most active discursive terrain. This collection seeks to interrogate such phenomena by forging a greater conceptual, theoretical and historical dialogue between celebrity studies and critical gender studies. It takes as its starting point the understanding that female celebrity is a particularly fraught cultural phenomenon with ideological and industrial implications that warrant careful scrutiny. In moving across case studies from the 19th century to the present day, this book works from the assumption that the case study should play a crucial role in generating debate about the dialogue between 'past' and 'present', and the individual essays will seek to reflect this spirit of enquiry.

I HAVE BEEN AWARE OF A DIFFERENT KIND OF WOMAN IN A.A. YEARS AGO, INFORMATION ABOUT AN ALCOHOLIC WOMAN, WERE VERY DISMAL. WORDS SUCH AS: "DEVIANT BEHAVIOR." THOSE ARE HARDLY WORDS THAT WOULD MAKE A WOMAN WANT TO GET SOBER. LABELS LIKE THAT ARE FRIGHTENING AND ARE FILLED WITH SHAME. I HAVE THOUGHT FOR TOO LONG WE NEED A BETTER AND TRUER IMAGE OF WHAT WE PERCEIVE AS A WOMAN ALCOHOLIC. THAT IS WHEN I THOUGHT OF THIS BOOK. IT IS A WAY TO GET AN INSIDE LOOK AT THE SOBER WOMEN AND THEIR STORIES. THANKFULLY THEY ARE WILLING TO SHARE THEM WITH YOU. THEY DO THIS IN THE HOPE OF HELPING SOMEONE OUT THERE WHO IS STILL SUFFERING WITH ADDICTIONS, THAT THEY THEMSELVES, ARE FAMILIAR WITH. THESE STORIES WILL GIVE A NEW PERSPECTIVE OF WHAT A RECOVERING WOMAN LOOKS LIKE. SOBER WOMEN ARE POWERFUL IN, HOME LIFE, BUSINESS, POLITICS, COMMUNITY ACTIVITIES, ETC. I FIND AN INTELLIGENT, TALENTED, CARING. POWERFUL GROUP OF WOMEN, IN THE AA PROGRAM. COURAGEOUS ALSO, (EVIDENT IN THE FOLLOWING STORIES). YOU MAY BE AMAZED AT THE OBSTACLES IN THEIR LIVES, BEFORE AND AFTER SOBRIETY. BY THE GRACE OF GOD AND THE THE AA PROGRAM THEY HAVE FOUND A NEW DIMENSION

The life and accomplishments of an influential leader in the desegregated South. This biography of educational activist and Black studies pioneer Bertha Maxwell-Roddey examines a life of remarkable achievements and leadership in the early years of the desegregated South. Sonya Ramsey modernizes the nineteenth-century term "race woman" to describe how Maxwell-Roddey and her peers turned hard-won civil rights and feminist milestones into tangible accomplishments in North Carolina and nationwide from the late 1960s to the 1990s. Born in 1930, Maxwell-Roddey became one of Charlotte's first Black woman principals of a white elementary school; she was the founding director of the University of North Carolina at Charlotte's Africana Studies Program; and she cofounded the Afro-American Cultural and Service Center, now the Harvey B. Gantt Center for African-American Art + Culture. Maxwell-Roddey founded the National Council for Black Studies, helping institutionalize the field with what is still its premiere professional organization, and served as the 20th National President of Delta Sigma Theta Sorority, Inc., one of the most influential Black women's organizations in the United States. Using oral histories and primary sources that include private records from numerous Black women's home archives, Ramsey illuminates the intersectional leadership strategies used by Maxwell-Roddey and other modern race women to dismantle discriminatory barriers in the classroom and the boardroom. Bertha Maxwell-Roddey offers new insights into desegregation, urban renewal, and the rise of the Black middle class through the lens of a powerful leader's life story.

Beverly has been called Poochie by her family that her father occasionally forgets her real name. She grew up in Nairn Centre, Ontario, a small community where everyone knew almost everything going on in everyone else's household. Even so, she still managed to have secrets. In this memoir, she tells the story of her youth, from her childhood through her teenage years.

She shares her wealth of exciting and embarrassing moments from her life as a child, trying to learn how to be herself in a constantly changing world. She was a child obsessively dependent on her mother, to the point of having suicidal thoughts when she believes she has lost her mother's respect.

With an open and honest mind, Poochie shares each childhood turmoil as it gets conquered and turned into a stepping stone for the next adventure in "Poochie's Changing Daze"-a story of the love and strength that a family gets from having each other.

Passionate, freethinking existentialist philosopher-writers Simone de Beauvoir and Jean-Paul Sartre are one of the world's legendary couples. Their committed but notoriously open union generated no end of controversy in their day. Biographer Hazel Rowley offers the first dual portrait of these two colossal figures and their intense, often embattled relationship. Through original interviews and access to new primary sources, Rowley portrays Sartre and Beauvoir up close.

"Tete-a-Tete" magnificently details the passion, daring, humor, and contradictions of a remarkably unorthodox relationship.

One a lyric "confessional" poet and essayist, the other a jazz "spoken-word" performance artist, Adrienne Rich and Jayne Cortez were American feminist superheroes who produced extensive bodies of poetic work that reveal strangely overlapping visions, but in radically different voices and poetic styles. This book reconsiders the poetry activism of Cortez and Rich side-by-side, engaging poetics theory, cultural studies, and popular media in its literary analyses. A collection of eight integrated chapters by multiple poetry critics, as well as an artist-statement narrative by Wonder Woman sculptor Linda Stein, the book focuses upon the voice of bravado, the various calls for global justice, and Third Wave feminist "intersectional" critiques all embodied within these two women's poetic texts. The book also examines the twentieth-century figure of the American superhero, particularly Wonder Woman, bringing popular-culture studies into conversation with literary criticism, as well as visual art through the inclusion of Stein's commentary and illustrations. This beautiful and compelling book experiments with the festschrift concept by inviting multiple and competing disciplinary views on U.S. feminist poetics, women's art and aesthetics, racial and sexual identities, as well as politics and performance-all in tribute to the power of poetry by Cortez and Rich.

The past thirty years have seen the emergence of a broad-ranging feminist theological critique of Christology. Speaking out of a range of Christian traditions, feminist theologians have exposed the androcentric character of classical Christology, drawing attention to the fact that women's voices in Scripture and in the history of theology have often gone and continue to go unheard. The theological consequences have been grave: Christ's liberating message of the full humanity of both women and men has been compromised by the patriarchal bias of its interpreters. Feminists have also argued that of all Christian doctrines Christology has been most often turned against women. Christological arguments have been used to reinforce an exclusively male image of God, and thus to legitimate men's superiority over women. Further, the image of Christ on the cross has contributed to women's acceptance of abuses of power, as it has often been interpreted as a model of passive submission to unjust suffering. Some feminists have argued for the total rejection of the doctrine of the cross. Others have concluded that Christianity and feminism are incompatible.
In this book, Arnfriour Guomundsdottir provides a lucid survey and analysis of the full range of such criticisms, as well as her own explicitly feminist retrieval and reconstruction of a theology of the cross. She argues that there is a redemptive message hidden in the cross of Christ that is valuable to women today. Despite its potential for abuse and its well-documented history of misuse against women, a theology of the cross can also affirm Jesus as a divine co-sufferer who brings good news to all who are poor and oppressed. Such a theology, Guomundsdottir contends, offers women meaning and strength from a God who takes human form and enters redemptively into their suffering."

During the first few days of the Spanish Civil War, women played an integral role in the spontaneous uprising that prevented the immediate success of the Nationalist coup. Around one thousand of these women went on to join the militias who fought at the front. Women also played an important role in the defense of cities, with another several thousand forming sections of the armed rearguard. Indeed, women s participation in the anti-fascist resistance constituted one of the greatest mass political mobilizations of women in Spain s history. Milicianas provides a comprehensive picture of what life was like for the women who fought during the first year of the civil war, focusing on how the women themselves viewed this experience. It demonstrates that the significance of the miliciana phenomenon lies in the fact that these women took up arms in relatively large numbers, were self-motivated, participated in combat equally with their male comrades, and played an extensive and sophisticated military role. By late 1936, attitudes towards women in combat began to change drastically, and by March 1937, the majority of milicianas had been removed from their combat positions. Though there existed a consensus around this issue among the male leadership of both the Republican government and left-wing political groups, female combatants viewed this turn of events differently. The majority of the milicianas had deep reservations about their recall from the front, and saw it as a retreat from the gains women had made during the war and revolution. Indeed, while the political leadership within the Republic presented numerous arguments for why it was necessary to remove women from combat, this book argues that the reason it was initially considered acceptable for women to fight, and then seen as undesirable eight months later, was connected to the course of the social revolution.

This enduring story of life, adventure, and love in Alaska was written by a woman who embraced the remote Alaskan wilderness and became one of its strongest advocates. In this moving testimonial to the preservation of the Arctic wilderness, Mardy Murie writes from her heart about growing up in Fairbanks, becoming the first woman graduate of the University of Alaska, and marrying noted biologist Olaus J. Murie. So begins her lifelong journey in Alaska and on to Jackson Hole, Wyoming where along with her husband and others, they founded The Wilderness Society. Mardy's work as one of the earliest female voices for the wilderness movement earned her the Presidential Medal of Freedom.