"Scholars of American political thought have often failed to appreciate the significance of Elizabeth Cady Stanton. Scholars of Stanton have often not been deeply immersed in broader studies of American political thought. Sue Davis's outstanding book rectifies both these deficiencies in ways that will have enduring value."
--Rogers M. Smith, author of "Stories of Peoplehood: The Politics and Morals of Political Membership"

aSue Davis admirably succeeds in this book that integrates the conceptual and political legacy of Elizabeth Cady Stanton with current scholarship on heritage of the American liberal state. A must-read for students of American political development, womenas rights, and legal theory.a
--Eileen McDonagh, author of "Breaking the Abortion Deadlock"

aElizabeth Cady Stanton was open to any idea she encountered--old or new, conventional or innovated--except male supremacy. Sue Davis's admirable book shows that this great feminist's adaptability was both her best and worst characteristic.a
--Judith Baer, author of "Our Lives before the Law: Constructing a Feminist Jurisprudence"

Elizabeth Cady Stanton (1815-1902) was not only one of the most important leaders of the nineteenth century womenas rights movement but was also the movementas principal philosopher. Her ideas challenged the conventions of the time period that so severely constrained womenas choices and excluded them from public life.

In The Political Thought of Elizabeth Cady Stanton, Sue Davis argues that Cady Stanton's work reflects the rich tapestry of American political culture in the second half of the nineteenth century. Consequently, as Davis demonstrates, Cady Stanton deservesrecognition as one of America's major political thinkers. Davis reveals the way that Cady Stanton's work drew from different political traditions ranging from liberal egalitarianism to radicalism. Although Cady Stanton's arguments for women's rights combined what have come to be conflicting versions of feminism, her ideas are reflected in late twentieth and early twentieth century feminisms.

Thoroughly researched and engagingly written, The Political Thought of Elizabeth Cady Stanton draws on a wide variety of primary and secondary sources, and promises to fill a gap in the literature on the history of political ideas in the United States as well as womenas history and feminist theory.

This book explores gender inequity and the gender gap from a range of perspectives including historical, motherhood, professional life and diversity. Using a narrative approach, the book shares diverse experiences and perspectives of the gender gap and the pervasive impact it has. Through authors' in-depth insights and critical analysis, each chapter addresses the gender gap by providing a nuanced understanding of the impact of the particular lens. It shares a holistic understanding of lived experiences of gender inequity. The book offers interdisciplinary insights into current political, social, economic and cultural impacts on women and their lived experiences of inequity. It provides multiple voices from across the world and draws on narrative approaches to sharing evidence-based insights. It includes further insights and critique of each chapter to widen the perspectives shared as the gender gap is explored and provide rigorous discussion about what possibilities and challenges are inherent in the proposed solutions as well as offering new ones. Chapter 10 and chapter 11 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

In writing this book, I was at a point in my life where I just wanted to make all of my dreams come true. I knew that life had to be better than what I had become so accustomed to. I grew tired of the routine, the mundane, the boredom and the mediocrity. I made a decision that I was going to stop feeling sorry for myself, eliminate the negative thoughts and work hard toward a new life. A change was to come, and I was determined to see it through. For any woman who has ever felt this way, this message is for you.Through examples of personal experiences, metaphors, and humor, this small, but packed with POWER comprehensive guide, and conversation will deliver just the PUSH, and motivation you need. I sincerely hope that after you read this, you will be inspired to pursue your best life. Ladies, if you are brave enough, I extend the invitation to you to take a walk with me as we embark on this Journey into a life of positive thinking and success. Leave the negative thoughts behind because She's Beyond Those Thoughts.

Political institutions profoundly shape political life and are also gendered. This groundbreaking collection synthesises new institutionalism and gendered analysis using a new approach -- feminist institutionalism -- in order to answer crucial questions about power inequalities, mechanisms of continuity, and the gendered limits of change.

Women's Voices in Ireland examines the letters and problems sent in by women to two Irish women's magazines in the 1950s and 60s, discussing them within their wider social and historical context. In doing so, it provides a unique insight into one of the few forums for female expression in Ireland during this period. Although in these decades more Irish women than ever before participated in paid work, trade unions and voluntary organizations, their representation in politics and public and their workforce participation remained low. Meanwhile, women who came of age from the late 1950s experienced a freedom which their mothers and aunts - married or single, in the workplace or the home - had never known. Diary and letters pages and problem pages in Irish-produced magazines in the 1950s and 60s enabled women from all walks of life to express their opinions and to seek guidance on the social changes they saw happening around them. This book, by examining these communications, gives a new insight into the history of Irish women, and also contributes to the ongoing debate about what women's magazines mean for women's history.

Drawing broadly on decolonial studies, postcolonial feminist scholarship, and studies on identity, this interdisciplinary edited volume brings together personal accounts written by female scholars who migrated from Latin America and joined universities in the Global North (Australia, the United States, and the Netherlands), and female scholars who moved from the Global North to teach in Latin American universities. The seven contributors examine how their lived experiences with gender, race, and place/displacement have impactedtheir social identities and on their roles as researchers and teachers. They describe how personal and intellectual negotiations in their new location have influenced their fight for plural forms of knowing and being. This book expands the debate on geopolitics of knowledge and the position of female scholars from the Global South beyond the United States as a site of experiences.

Filling a long-standing gap both in women's history and in the material history of class culture, this book is a unique and necessary reassessment of the social and cultural scene during the inter-war period in England. By combing over the everyday practices of working-class girls in 1920s and 30s England, including a sharp focus on Bermondsey south-east London and oral testimony from women who grew up in the period, Milcoy demonstrates the persistence and ingenuity with which these teenagers gained access to the commercial leisure culture of the day, from hairstyles and fashionable dress to films, music, and dances. She shows how this access had a startling ripple effect, transforming the way young women rehearsed and contested their identities so that play, rather than work, became the primary mechanism for defining subjectivity and constructing femininity. When the Girls Come Out to Play is a refreshing and nuanced take on the social and cultural history of England between the World Wars.

..".a perfect genius that makes the impossible in expression, possible; the unknowable in experience, knowable"
--Anya Achtenberg, author of "The Stories of Devil-Girl"
"Nickels" follows a biracial girl named "Little Miss So and So," from age 4-1/2 into adulthood. Told in a series of prose poems, "Nickels'" lyrical and inventive language conveys the dissociative states born of a world formed by persistent and brutal incest and homophobia. The dissociative states enable the child's survival and, ultimately, the adult's healing. The story is both heartbreaking and triumphant. Nickels is the groundbreaking debut of Minneapolis-area author and artist Christine Stark.
"Christine Stark has crafted a language and a diction commensurate with the shredding of consciousness that is a consequence of childhood sexual abuse. She brings us a wholly original voice in a riveting novel of desperation and love. Every sentence vibrates with a terrible beauty. Every sentence brings the news."
--Patricia Weaver Francisco, author of "Telling: A Memoir of Rape and Recovery"
"To be taken into the mind of a child can be an enchanting adventure, but to be taken into the mind of a child who is abused, confused, and taken for granted is a lingering, livid journey. I applaud her fortitude to bring an olden--too long ignored-- truth out of the darkness with blazing, innovative light."
--MariJo Moore, author of "The Diamond Doorknob"
"In "Nickels," Christine Stark, powerfully portrays the story of abuse and its impact on our lives. When this beautifully written and compelling story leaves, you are left wanting more. It's riveting; a book that will capture you from the beginning and carry you through the end. Everyone should read this book."
--Olga Trujillo, author of "The Sum of My Parts"
From the Reflections of America Series at Modern History Press www.ModernHistoryPress.com
Learn more at www.ChristineStark.com
FIC044000 Fiction: Contemporary Women
FIC018000 Fiction: Lesbian
SOC010000 Social Science: Feminism & Feminist Theory

This new biography explores the extraordinary life of Edith Craig (1869-1947), her prolific work in the theatre and her political endeavours for women's suffrage and socialism. At London's Lyceum Theatre in its heyday she worked alongside her mother, Ellen Terry, Henry Irving and Bram Stoker, and gained valuable experience. She was a key figure in creating innovative art theatre work. As director and founder of the Pioneer Players in 1911 she supported the production of women's suffrage drama, becoming a pioneer of theatre aimed at social reform. In 1915 she assumed a leading role with the Pioneer Players in bringing international art theatre to Britain and introducing London audiences to expressionist and feminist drama from Nikolai Evreinov to Susan Glaspell. She captured the imagination of Virginia Woolf, inspiring the portrait of Miss LaTrobe in her 1941 novel Between the Acts, and influenced a generation of actors, such as Sybil Thorndike and Edith Evans. Frequently eclipsed in accounts of theatrical endeavour by her younger brother, Edward Gordon Craig, Edith Craig's contribution both to theatre and to the women's suffrage movement receives timely reappraisal in Katharine Cockin's meticulously researched and wide-ranging biography, released for the seventieth anniversary of Craig's death.

Many of the available resources for teaching courses on feminist spirituality either come from the 1980s to 1990s or are written by the same authors as those earlier texts, thus showing us a progression of spiritual beliefs and practices of 'second-wave' feminists. This is useful, but when addressing this topic with university students it is also important to show the ways in which spirituality has been rethought by 'third-wave' feminists. This rethinking can be found in various small circulation 'zines, but these are not always accessible to a wide audience. This anthology addresses the experiences of third-wave feminists in the construction and reformulation of spirituality. It examines the experiences of young feminists and others who have been influenced by second-wave feminist spirituality and engaged in developing and critiquing themes of Goddess religion, queer theory, protest movements, and popular culture.

A "Washington Post Book World" Best Book of the Year
When her carriage first crossed over from her native Austria into France, fourteen-year-old Marie Antoinette was taken out, stripped naked before an entourage, and dressed in French attire to please the court of her new king. For a short while, the young girl played the part.
But by the time she took the throne, everything had changed. In "Queen of Fashion, " Caroline Weber tells of the radical restyling that transformed the young queen into an icon and shaped the future of the nation. With her riding gear, her white furs, her pouf hairstyles, and her intricate ballroom disguises, Marie Antoinette came to embody--gloriously and tragically--all the extravagance of the monarchy.

A humorous yet poignant take on the issues and attitudes that encumber today's women. "Divalution" is full of quips and short stories based on the author's personal experiences and observations, some are funny, others sad, all will touch you. Deborah shares her insight on how women have failed themselves and each other. She offers "The Divalution" as a way to unite and grow. It is a must read if you have ever had a mother, raised a child, had a friend or been in a relationship.

This second of two volumes continues the exploration of the history of Virginia women through the lives of exemplary and remarkable individuals. Seventeen essays written by established and emerging scholars recover the stories and voices of a diverse group of women, from the transition from slavery to freedom in the period following the Civil War through the struggle to secure rights for gay and lesbian women in the late twentieth century. Placing their subjects in their larger historical contexts, the authors show how the experiences of Virginia women varied by race, class, age, and marital status, and also across both space and time. Some essays examine the lives of well-known women-such as Ellen Glasgow and Patsy Cline-from a new perspective. Others introduce readers to historical figures who are less familiar: freedmen schoolteacher Caroline Putnam; reformer Orra Gray Langhorne; Sadie Heath Cabaniss, the founder of professional nursing in Virginia; and Marie Kimball, an early preservationist. Essays on cotton textile workers in the late nineteenth century and home demonstration agents in the early twentieth examine women's collective experiences in these important areas. Altogether, the essays in this collection offer readers an engaging and personal window into the experiences of women in the Old Dominion.

Feminism and Power: the Need for Critical Theory is a six-chapter manuscript which offers an important critique of "power feminism." The latter, having produced such spinoffs as "grrrl power," "choice," "babe," "lipstick," and "stiletto" feminisms, encourages women to be strong, self-sufficient, feisty, and independent. While I have no argument with much of that tough-minded ideal, I ask whether this "brave new girl" doesn't too readily acquiesce in a neo-liberal ideology whose underlying tenets derive from American rugged individualism. At its worst, this strain within Third Wave feminism contains no critique of capitalism, no distance on neoliberal theory, no effort to address the injustices contained in globalization's asymmetries and the industrialized North's exploitation of developing countries. Feminism and Power: the Need for Critical Theory therefore argues that the critical theories of Theodor Adorno and Jacques Derrida have much to offer feminism, and a feminist understanding of female empowerment. Its pages rely on Adorno's assertion that it is only by allowing the sufferer to speak that we can unveil social truth rather than be duped by the bravado of victory culture. Similarly, it demonstrates how Derrida's insistence on the trace, as well as the asymmetries of friendship and hospitality, lead feminism away from the perils of contented triumphalism. The book promotes listening as a paradigmatic feminist gesture, rather than always speaking up and out.

"You are about to embark on a journey that will take you places you've never been before and you will learn much about things you don't even know exist." The words flowed out of Patricia Beirne's hand and onto the paper in front of her. Subsequent sessions of automatic writing encouraged her and gave suggestions. "I never felt alone again," she says about the beginning of her extraordinary voyage of discovery.

To the outside world, Patricia seemed to have it all: an athletic, successful husband, two beautiful daughters, and a home in the San Diego area. Raised with rigid ideas about what women should be, she worked to be the perfect wife, hostess, mother, and homemaker. But as the years went by, Patricia could no longer ignore the growing restlessness and unsettling dreams stirring inside her. She knew she was being called to discover the meaning of her life ... but what was it?

Within a five-year period, both daughters were in serious car accidents, one struggled with drug use, and the other fought depression and a mysterious illness that took her to the hospital-all while Patricia's marriage deteriorated. It was then that she discovered she had a gift. She could trust the divine, loving Voice that directed her, and she could use her gift to help her daughters as well as others. Her story is a testament to what can happen when we listen, trust, and open ourselves to new ways of hearing and healing.