Unconditional Praise is a book that will bring you into the realization of what authentic praise and worship really should be and it will put your thinking in line with the word of God concerning praise and worship. This book feeds your spirit man and challenges your character. Can you stand to praise God no matter what condition you are in? This book unlocks answers to praise and worship that will help you in a closer walk with God and trusting God.

Shortly after Alysa Cummings was diagnosed with breast cancer, she sat down at her laptop computer and began keeping a journal. Over the two years of her cancer treatment, Alysa continued writing as she moved through the healthcare delivery system:

"I fantasized that I could somehow use my computer to craft a story with an upbeat next chapter or fairy tale happily-ever-after ending. Looking back, that's the only explanation I can come up with, why I felt so compelled to create a record of my day-to-day experiences as a cancer patient. The one thing I could control were these words that crowded each other as they quickly appeared on my computer screen; these stories that flowed through my fingertips in such a manic rush; these traumatic adventures that happened to me in a place I began to call CancerLand.

CancerLand: it's this parallel universe, I swear, separate and apart from the rest of life as I once knew it. How did I end up in this wacky Bizarro World filled with freaky language and even stranger rituals? "

Gradually her daily journal entries became vignettes and poems that were published on the OncoLink website. Greetings from CancerLand, a collection of Alysa's writing from 2002-2012, charts one breast cancer survivor's journey as she discovers the power of writing to move her recovery forward.

Tornado warnings were posted in Canton, Ohio, on the night of author Cherie Kirby Hill Wren's birth in 1943. The storm was just a normal occurrence, but she can't help think it was a precursor of her life to come.

In "Speed Bumps and Angels, " Wren recaps the storms and speed bumps she has experienced in her life: nearly drowning when she was just two years old; being hit by a car; getting jilted, twice; running away from home and marrying a man who was abusive and ultimately tried to kill her; developing type 2 diabetes; being diagnosed with benign essential blepharospasm; having her mitral and aortic valves replaced; gaining a pacemaker; and enduring pulmonary hypertension.

In this memoir, Wren shows how these bumps served their purpose. First, they slowed her down so she didn't run out of control. Second, they gave her a little jolt, sometimes back to reality. Third, they kept her from getting too complacent. She shows that by conquering challenges, we grow and learn. We are here for a purpose, and by living each day to the fullest we can, knowingly or unknowingly, accomplish that purpose.

This book is a true story of a single mom who, by the grace of God, became a certified registered nurse anesthetist. After many trials and tribulations, she has learned how to forgive and move on to become the woman God wants her to be.

This book presents the first feminist translation of Rosalia de Castro's seminal poetic anthology En las orillas del Sar [On the Edge of the River Sar] (1884). Rosalia de Castro (1837-1885) was an artist of vast poetic vision. Her understanding of human nature and her deep sensitivity to the injustices suffered by women and by such marginalized peoples as those of her native region, Galicia, are manifest in verses of universal yet rarely translated significance. An outspoken proponent of both women's rights and her region's cultural and political autonomy, Castro used her poetry as a vehicle through which to decry the crushing hardships both groups endured as Spain vaulted between progressive liberal and conservative reactionary political forces throughout the nineteenth century. Depending upon what faction held sway in the nation at any given time during Castro's truncated literary career, her works were either revered as revolutionary or reviled as heretical for the views they espoused. Long after her death by uterine cancer in 1885, Castro was excluded from the pantheon of Spanish literature by Restoration society for her unorthodox views. Compellingly, the poet's conceptualization of the individual and the national self as informed by gender, ethnicity, class, and language echoes contemporary scholars of cultural studies who seek to broaden present-day definitions of national identity through the incorporation of precisely these same phenomena. Thanks to the most recent works in Rosalian and Galician studies, we are now able to recuperate and reevaluate Rosalia de Castro's poems in their original languages for the more radical symbolism and themes they foreground related to gender, sexuality, race and class as they inform individual and national identities. However, although Castro's poetic corpus is widely accessible in its original languages, these important features of her verses have yet to be given voice in the small number of English translations of only a sub-set of her works that have been produced in the last century. As a result, our understanding of Castro's potential contributions to contemporary world poetries, gender studies, Galician and more broadly cultural studies is woefully incomplete. An English translation of Castro's works that is specifically feminist in its methodological orientation offers a unique and thought-provoking means by which to fill this void.

Margarethe von Trotta (b. 1942) entered the film industry in the only way she could in the 1960s-as an actress. Throughout her career, von Trotta added thirty-two acting credits to her name; however, these credits came to a halt in 1975. Her ambition had always been to be a movie director. Though she viewed acting as a detour, it allowed her to be in the right place at the right time, and through her line of work she met such important directors as Rainer Werner Fassbinder and Volker Schloendorff. The latter would eventually provide her with the opportunity to codirect her first film, Die Verlohrene Ehre der Katharina Blum (The Lost Honor of Katharina Blum) in 1975. The debut's success ensured von Trotta's future in the film industry and launched her accomplished film directing career. In Margarethe von Trotta: Interviews, volume editor Monika Raesch furnishes twenty-four illuminating interviews with the auteur. Spanning three decades, from the mid-1980s until today, the interviews reveal not only von Trotta's life in the film industry, but also evolving roles of and opportunities provided to women over that time period. This collection of interviews presents the different dimensions of von Trotta through the lenses of film critics, scholars, and journalists. The volume offers essential reading for anyone seeking a better understanding of an iconic female movie director at a time when this possibility for women just emerged.

What would you give up to protect your loved ones? Your life?

In her heartbreaking, triumphant, and elegantly written memoir, "Prisoner of Tehran," Marina Nemat tells the heart-pounding story of her life as a young girl in Iran during the early days of Ayatollah Khomeini's brutal Islamic Revolution.

In January 1982, Marina Nemat, then just sixteen years old, was arrested, tortured, and sentenced to death for political crimes. Until then, her life in Tehran had centered around school, summer parties at the lake, and her crush on Andre, the young man she had met at church. But when math and history were subordinated to the study of the Koran and political propaganda, Marina protested. Her teacher replied, "If you don't like it, leave." She did, and, to her surprise, other students followed.

Soon she was arrested with hundreds of other youths who had dared to speak out, and they were taken to the notorious Evin prison in Tehran. Two guards interrogated her. One beat her into unconsciousness; the other, Ali, fell in love with her.

Sentenced to death for refusing to give up the names of her friends, she was minutes from being executed when Ali, using his family connections to Ayatollah Khomeini, plucked her from the firing squad and had her sentence reduced to life in prison. But he exacted a shocking price for saving her life -- with a dizzying combination of terror and tenderness, he asked her to marry him and abandon her Christian faith for Islam. If she didn't, he would see to it that her family was harmed. She spent the next two years as a prisoner of the state, and of the man who held her life, and her family's lives, in his hands.

Lyrical, passionate, and suffused throughout with grace and sensitivity, Marina Nemat's memoir is like no other. Her search for emotional redemption envelops her jailers, her husband and his family, and the country of her birth -- each of whom she grants the greatest gift of all: forgiveness.