Political institutions profoundly shape political life and are also gendered. This groundbreaking collection synthesises new institutionalism and gendered analysis using a new approach -- feminist institutionalism -- in order to answer crucial questions about power inequalities, mechanisms of continuity, and the gendered limits of change.

Filling a long-standing gap both in women's history and in the material history of class culture, this book is a unique and necessary reassessment of the social and cultural scene during the inter-war period in England. By combing over the everyday practices of working-class girls in 1920s and 30s England, including a sharp focus on Bermondsey south-east London and oral testimony from women who grew up in the period, Milcoy demonstrates the persistence and ingenuity with which these teenagers gained access to the commercial leisure culture of the day, from hairstyles and fashionable dress to films, music, and dances. She shows how this access had a startling ripple effect, transforming the way young women rehearsed and contested their identities so that play, rather than work, became the primary mechanism for defining subjectivity and constructing femininity. When the Girls Come Out to Play is a refreshing and nuanced take on the social and cultural history of England between the World Wars.

By exploring the concept of the "tender gaze" in German film, theater, and literature, this volume's contributors illustrate how perspective-taking in works of art fosters empathy and prosocial behaviors. The gaze, understood as a way of looking at others that involves contemplation and the operation of power, has an extensive history of iterations such as the male gaze (Mulvey), the oppositional gaze (hooks), and the postcolonial gaze (Said). This essay collection develops a supplemental theory of what Muriel Cormican has coined the "tender gaze" and traces its occurrence in German film, theater, and literature. More than qualifying the primarily voyeuristic, narcissistic, and sexist impetus of the male gaze, the tender gaze also allows for a differentiated understanding of the role identification plays in reception, and it highlights various means of eliciting a sociopolitical critique in works of art. Emphasizing the humanizing potential of the tender gaze, the contributors argue that far from simply exciting emotional contagion, affect in art promotes an altruistic, rational, and fundamentally ethical relationship to the other. The tender gaze elucidates how perspective-taking operates in art to foster empathy and prosocial behaviors. Though the contributors identify instances of the tender gaze in artistic production since the early nineteenth century, they focus on its pervasiveness in contemporary works, corresponding to twenty-first-century concerns with implicit bias and racism.

Many of the available resources for teaching courses on feminist spirituality either come from the 1980s to 1990s or are written by the same authors as those earlier texts, thus showing us a progression of spiritual beliefs and practices of 'second-wave' feminists. This is useful, but when addressing this topic with university students it is also important to show the ways in which spirituality has been rethought by 'third-wave' feminists. This rethinking can be found in various small circulation 'zines, but these are not always accessible to a wide audience. This anthology addresses the experiences of third-wave feminists in the construction and reformulation of spirituality. It examines the experiences of young feminists and others who have been influenced by second-wave feminist spirituality and engaged in developing and critiquing themes of Goddess religion, queer theory, protest movements, and popular culture.

..".a perfect genius that makes the impossible in expression, possible; the unknowable in experience, knowable"
--Anya Achtenberg, author of "The Stories of Devil-Girl"
"Nickels" follows a biracial girl named "Little Miss So and So," from age 4-1/2 into adulthood. Told in a series of prose poems, "Nickels'" lyrical and inventive language conveys the dissociative states born of a world formed by persistent and brutal incest and homophobia. The dissociative states enable the child's survival and, ultimately, the adult's healing. The story is both heartbreaking and triumphant. Nickels is the groundbreaking debut of Minneapolis-area author and artist Christine Stark.
"Christine Stark has crafted a language and a diction commensurate with the shredding of consciousness that is a consequence of childhood sexual abuse. She brings us a wholly original voice in a riveting novel of desperation and love. Every sentence vibrates with a terrible beauty. Every sentence brings the news."
--Patricia Weaver Francisco, author of "Telling: A Memoir of Rape and Recovery"
"To be taken into the mind of a child can be an enchanting adventure, but to be taken into the mind of a child who is abused, confused, and taken for granted is a lingering, livid journey. I applaud her fortitude to bring an olden--too long ignored-- truth out of the darkness with blazing, innovative light."
--MariJo Moore, author of "The Diamond Doorknob"
"In "Nickels," Christine Stark, powerfully portrays the story of abuse and its impact on our lives. When this beautifully written and compelling story leaves, you are left wanting more. It's riveting; a book that will capture you from the beginning and carry you through the end. Everyone should read this book."
--Olga Trujillo, author of "The Sum of My Parts"
From the Reflections of America Series at Modern History Press www.ModernHistoryPress.com
Learn more at www.ChristineStark.com
FIC044000 Fiction: Contemporary Women
FIC018000 Fiction: Lesbian
SOC010000 Social Science: Feminism & Feminist Theory

A "Washington Post Book World" Best Book of the Year
When her carriage first crossed over from her native Austria into France, fourteen-year-old Marie Antoinette was taken out, stripped naked before an entourage, and dressed in French attire to please the court of her new king. For a short while, the young girl played the part.
But by the time she took the throne, everything had changed. In "Queen of Fashion, " Caroline Weber tells of the radical restyling that transformed the young queen into an icon and shaped the future of the nation. With her riding gear, her white furs, her pouf hairstyles, and her intricate ballroom disguises, Marie Antoinette came to embody--gloriously and tragically--all the extravagance of the monarchy.

Challenging Reproductive Control and Gendered Violence in the Americas: Intersectionality, Power, and Struggles for Rights utilizes an intersectional Chicana feminist approach to analyze reproductive and gendered violence against women in the Americas and the role of feminist activism through case studies including the current state of reproductive justice in Texas, feminicides in Latin America, raising awareness about Ni Una Mas and anti-feminicidal activism in Ciudad Juarez, and reproductive rights in Latin America amidst the Zika virus. Each of these contemporary contexts provides new insights into the relationships between and among feminist activism; reproductive health; the role of the state, local governments, health organizations, and the media; and the women of color who are affected by the interplay of these discourses, mandates, and activist efforts.

This new biography explores the extraordinary life of Edith Craig (1869-1947), her prolific work in the theatre and her political endeavours for women's suffrage and socialism. At London's Lyceum Theatre in its heyday she worked alongside her mother, Ellen Terry, Henry Irving and Bram Stoker, and gained valuable experience. She was a key figure in creating innovative art theatre work. As director and founder of the Pioneer Players in 1911 she supported the production of women's suffrage drama, becoming a pioneer of theatre aimed at social reform. In 1915 she assumed a leading role with the Pioneer Players in bringing international art theatre to Britain and introducing London audiences to expressionist and feminist drama from Nikolai Evreinov to Susan Glaspell. She captured the imagination of Virginia Woolf, inspiring the portrait of Miss LaTrobe in her 1941 novel Between the Acts, and influenced a generation of actors, such as Sybil Thorndike and Edith Evans. Frequently eclipsed in accounts of theatrical endeavour by her younger brother, Edward Gordon Craig, Edith Craig's contribution both to theatre and to the women's suffrage movement receives timely reappraisal in Katharine Cockin's meticulously researched and wide-ranging biography, released for the seventieth anniversary of Craig's death.

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"The result of Miller's information lode is aa]sometimes uplifting book. It is possible for government and private-sector programs to alleviate the violence against females, Miller believes--but not if those in charge lack the will and refuse to allocate the resources."
--"St. Louis Post Dispatch"

aMiller gives us a detailed examination of the violence experienced by Black inner city girls whose victimization is based on multiple dimensions of their lives: because they are Black, because they live in extremely disadvantaged neighborhoods, and because they are women. Milleras careful, rich, detailed field work documents and analyzes the complex realities of these young womenas lives that set the context for the struggles they routinely contend with. The voices of these young people have been ignored for too long. Getting Played has given them an opportunity to be heard that is long overdue.a
--Robert Crutchfield, University of Washington

aGetting Played shows powerfully how gender, class, and race inequality expose girls in disadvantaged urban communities to violent and sexual victimization, both in neighborhoods and in schools. Miller expertly analyzes how extreme social and economic disadvantage combine with pervasive normative codes to create a context in which girls face high risks of victimization at the hands of boys and men. Getting Played is masterful.a
--Karen Heimer, co-editor of "Gender and Crime: Patterns in Victimization and Offending"

aBy giving us a better understanding of how the neighborhoods and the peer culture of poor African American youth increase the risk of agendered victimization, a GettingPlayed challenges both academics and policymakers to face the role of structured discrimination in the perpetuation of violence toward women.a
--Candace Kruttschnitt, co-author of "Marking Time in the Golden State: Womenas Imprisonment in California"

aThis is a significant and timely book. Miller has taken on a vitally important, but understudied, topic--violence against young Black girls in economically depressed urban settings.a
--Dana M. Britton, author of "At Work in the Iron Cage: The Prison as Gendered Organization"

aMiller grabs readers' attention with the stark reality of the widespread occurrence of violent victimization among the girls she studies.a
--From the Foreword by Ruth D. Peterson, Distinguished Professor of Social and Behavioral Sciences, The Ohio State University

Much has been written about the challenges that face urban African American young men, but less is said about the harsh realities for African American young women in disadvantaged communities. Sexual harassment, sexual assault, dating violence, and even gang rape are not uncommon experiences. In Getting Played, sociologist Jody Miller presents a compelling picture of this dire social problem and explores how inextricably, and tragically, linked violence is to their daily lives in poor urban neighborhoods.

Drawing from richly textured interviews with adolescent girls and boys, Miller brings a keen eye to the troubling realities of a world infused with danger and gender-based violence. These girls are isolated, ignored, and often victimized by those considered family and friends. Community institutions such as the police and schools that are meant to protect them often turn a blind eye, leaving girls to fend for themselves. Miller draws a vivid picture of the race and gender inequalities that harm these communities--and how these result in deeply and dangerously engrained beliefs about gender that teach youths to see such violence--rather than the result of broader social inequalities--as deserved due to individual girlsa flawed characters, i.e., ashe deserved it.a

Through Milleras careful analysis of these engaging, often unsettling stories, Getting Played shows us not only how these young women are victimized, but how, despite vastly inadequate social support and opportunities, they struggle to navigate this dangerous terrain.

A humorous yet poignant take on the issues and attitudes that encumber today's women. "Divalution" is full of quips and short stories based on the author's personal experiences and observations, some are funny, others sad, all will touch you. Deborah shares her insight on how women have failed themselves and each other. She offers "The Divalution" as a way to unite and grow. It is a must read if you have ever had a mother, raised a child, had a friend or been in a relationship.

The supernatural has become extraordinarily popular in literature, television, and film. Vampires, zombies, werewolves, witches, and wizard have become staples of entertainment industries, and many of these figures have received extensive critical attention. But one figure has remained in the shadows - the female ghost. Inherently liminal, often literally invisible, the female ghost has nevertheless appeared in all genres. Subversive Spirits: The Female Ghost in British and American Popular Culture brings this figure into the light, exploring her cultural significance in a variety of media from 1926 to 2014. Robin Roberts argues that the female ghost is well worth studying for what she can tell us about feminine subjectivity in cultural contexts. Subversive Spirits examines appearances of the female ghost in heritage sites, theater, Hollywood film, literature, and television in the United States and the United Kingdom. What holds these disparate female ghosts together is their uncanny ability to disrupt, illuminate, and challenge gendered assumptions. As with other supernatural figures, the female ghost changes over time, especially responding to changes in gender roles. Roberts's analysis begins with comedic female ghosts in literature and film and moves into horror by examining the successful play The Woman in Black and the legend of the weeping woman, La Llorona. Roberts then situates the canonical works of Maxine Hong Kingston and Toni Morrison in the tradition of the female ghost to explore how the ghost is used to portray the struggle and pain of women of color. Roberts further analyzes heritage sites that use the female ghost as the friendly and inviting narrator for tourists. The book concludes with a comparison of the British and American versions of the television hit Being Human, where the female ghost expands her influence to become a mother and savior to all humanity.

This second of two volumes continues the exploration of the history of Virginia women through the lives of exemplary and remarkable individuals. Seventeen essays written by established and emerging scholars recover the stories and voices of a diverse group of women, from the transition from slavery to freedom in the period following the Civil War through the struggle to secure rights for gay and lesbian women in the late twentieth century. Placing their subjects in their larger historical contexts, the authors show how the experiences of Virginia women varied by race, class, age, and marital status, and also across both space and time. Some essays examine the lives of well-known women-such as Ellen Glasgow and Patsy Cline-from a new perspective. Others introduce readers to historical figures who are less familiar: freedmen schoolteacher Caroline Putnam; reformer Orra Gray Langhorne; Sadie Heath Cabaniss, the founder of professional nursing in Virginia; and Marie Kimball, an early preservationist. Essays on cotton textile workers in the late nineteenth century and home demonstration agents in the early twentieth examine women's collective experiences in these important areas. Altogether, the essays in this collection offer readers an engaging and personal window into the experiences of women in the Old Dominion.

In contemporary pop culture, the pursuits regarded as the most frivolous are typically understood to be more feminine in nature than masculine. This collection illustrates how ideas of the popular and the feminine were assumed to be equally naturally intertwined in the eighteenth century, and the ways in which that association facilitates the ongoing trivialization of both. Top scholars in eighteenth-century studies examine the significance of the parallel devaluations of women's culture and popular culture by looking at theatres and actresses; novels, magazines, and cookbooks; and populist politics, dress, and portraiture. They also assess how eighteenth-century women have been re-imagined in contemporary historical fiction, films, and television, from the works of award-winner Beryl Bainbridge to Darcymania and Pride and Prejudice and Zombies. By reconsidering the cultural and social practices of eighteenth-century women, this fascinating volume reclaims the ostensibly trivial as a substantive cultural contribution.

Feminist Ecocriticism examines the interplay of women and nature as seen through literary theory and criticism, drawing on insights from such diverse fields as chaos theory and psychoanalysis, while examining genres ranging from nineteenth-century sentimental literature to contemporary science fiction. The book explores the central claim of ecofeminism that there is a connection between environmental degradation and the subordination of women with the goal of identifying and fostering liberatory alternatives. Feminist Ecocriticism analyzes the work of such diverse women writers as Rachel Carson, Barbara Kingsolver, Ursula K. Le Guin, and Mary Shelley. By including chapters from a comparable number of women and men, this book dispels the notion that ecofeminism is relevant to and used by only female scholars. After uncovering the oppressive dichotomies of male/female and nature/culture that underlie contemporary environmental problems, Feminist Ecocriticism focuses specifically on emancipatory strategies employed by ecofeminist literary critics as antidotes, asking what our lives might be like as those strategies become increasingly successful in overcoming oppression. Thus, ecofeminism is not limited to the critique of literature, but also helps identify and articulate liberatory ideals that can be actualized in the real world, in the process transforming everyday life. Providing an alternative to rugged individualism, for example, ecofeminist literature promotes a more fulfilling sense of interrelationship with both community and the land. In the process of exploring literature from ecofeminist perspectives, the book reveals strategies of emancipation that have already begun to give rise to more hopeful ecological narratives. Feminist Ecocriticism provides a novel integration of two important strands of contemporary literary criticism that have often failed to make contact: feminist criticism and ecocriticism. The openness of both feminist criticism and ecocriticism to multiple, even incompatible perspectives, without the insistence on unitary definitions of their fields, has given rise to a new hybrid discipline: feminist ecocriticism."

"You are about to embark on a journey that will take you places you've never been before and you will learn much about things you don't even know exist." The words flowed out of Patricia Beirne's hand and onto the paper in front of her. Subsequent sessions of automatic writing encouraged her and gave suggestions. "I never felt alone again," she says about the beginning of her extraordinary voyage of discovery.

To the outside world, Patricia seemed to have it all: an athletic, successful husband, two beautiful daughters, and a home in the San Diego area. Raised with rigid ideas about what women should be, she worked to be the perfect wife, hostess, mother, and homemaker. But as the years went by, Patricia could no longer ignore the growing restlessness and unsettling dreams stirring inside her. She knew she was being called to discover the meaning of her life ... but what was it?

Within a five-year period, both daughters were in serious car accidents, one struggled with drug use, and the other fought depression and a mysterious illness that took her to the hospital-all while Patricia's marriage deteriorated. It was then that she discovered she had a gift. She could trust the divine, loving Voice that directed her, and she could use her gift to help her daughters as well as others. Her story is a testament to what can happen when we listen, trust, and open ourselves to new ways of hearing and healing.

The book chronicles the life story of a woman pioneer in the electrical trade. It begins with the early childhood experiences that formed her approach to life. The empowerment of feminism was a natural result of her changed life that lead her into teaching, nursing, farming and the formation of her own electrical contracting company. Another aspect in the book is her journey from realism to faith. The dynamic tension between both of these themes and the resolution of them is the substory in this very interesting memoir.

Roxane Head Dinkin, PhD, a clinical psychologist practicing in Bradenton, Florida, who has long dealt with the problems of infertile women, and history professor Robert J. Dinkin have created an informative book showcasing seven prominent women who struggled with infertility and became creative powerhouses in a variety of fields. Unable to have children themselves, the Dinkins utilized their combined expertise and discovered how these seven women had worked through their infertility issues and honed their creativity to more fully utilize their talents: Juliette Low, founder of the Girl Scouts of the USA Joy Adamson, wildlife conservationist and author of "Born Free" Josephine Baker, entertainer and adoptive mother of twelve Frida Kahlo, innovative artist Emma Goldman, anarchist and birth-control advocate Ruth Benedict, leading anthropologist Marilyn Monroe, film star and sexual icon

Infertility produces a profound loss for women who hold the expectation that they will reproduce. "Infertility and the Creative Spirit" clearly illustrates the connection between the desire and inability to have children and lasting accomplishments in other areas of life, showing how infertile women contribute to the next generation.