As women become more outspoken regarding their right to equal pay, it has been noted that gender equality, with women earning as much as men, would enrich the global economy. These studies have shown that equal pay, equal hours, and equal participation for women in the workforce could lead to a global wealth jump and potentially create knock-on benefits such as lower malnutrition and child mortality rates. Women Empowerment and Well-Being for Inclusive Economic Growth is a collection of innovative research that makes the case for understanding development in economic terms as well as in terms of well-being, empowerment, and participation and uncovers the role of empowering women and achieving gender equality in sustainable development. Research work and cases related to participation of a women's labor force in the economic development of the country, the place of women in society, their contribution to the social development of their country, and the problems faced by them are key features in the book. While highlighting topics including gender inequality, self-worth, and industrial policy, this book is ideally designed for economic analysts, managers, policymakers, business professionals, government officials, entrepreneurs, and business students.

At a time when women are being exhorted to ""lean in"" and work harder to get ahead, Letting Go: Feminist and Social Justice Insight and Activism encourages both women and men to ""let go"" instead. The book explores alternatives to the belief that individual achievement, accumulation, and attention-seeking are the road to happiness and satisfaction in life. Letting go demands a radical recognition that the values, relationships, and structures of our neoliberal (competitive, striving, accumulating, consuming, exploiting, oppressive) society are harmful both on a personal level and, especially important, on a social and environmental level. There is a huge difference between letting go and ""chilling out."" In a lean-in society, self-care is promoted as something women and men should do to learn how to ""relax"" and find a comfortable work-life balance. By contrast, a feminist letting-go and its attendant self-care have the potential to be a radical act of awakening to social and environmental injustice and a call to activism.

The supernatural has become extraordinarily popular in literature, television, and film. Vampires, zombies, werewolves, witches, and wizard have become staples of entertainment industries, and many of these figures have received extensive critical attention. But one figure has remained in the shadows - the female ghost. Inherently liminal, often literally invisible, the female ghost has nevertheless appeared in all genres. Subversive Spirits: The Female Ghost in British and American Popular Culture brings this figure into the light, exploring her cultural significance in a variety of media from 1926 to 2014. Robin Roberts argues that the female ghost is well worth studying for what she can tell us about feminine subjectivity in cultural contexts. Subversive Spirits examines appearances of the female ghost in heritage sites, theater, Hollywood film, literature, and television in the United States and the United Kingdom. What holds these disparate female ghosts together is their uncanny ability to disrupt, illuminate, and challenge gendered assumptions. As with other supernatural figures, the female ghost changes over time, especially responding to changes in gender roles. Roberts's analysis begins with comedic female ghosts in literature and film and moves into horror by examining the successful play The Woman in Black and the legend of the weeping woman, La Llorona. Roberts then situates the canonical works of Maxine Hong Kingston and Toni Morrison in the tradition of the female ghost to explore how the ghost is used to portray the struggle and pain of women of color. Roberts further analyzes heritage sites that use the female ghost as the friendly and inviting narrator for tourists. The book concludes with a comparison of the British and American versions of the television hit Being Human, where the female ghost expands her influence to become a mother and savior to all humanity.

A survey of the empowering poetry of politically active women in El Salvador, South Africa, and the United States.

This book is an essential addition to the study of comparative black literature of the Americas; it will also fill the gap that exists on theoretical studies exploring black women's writing from the Spanish Caribbean. This book examines literary representations of the historic roots of black women's resistance in the United States and Cuba by studying the following texts by both African American and Afro-Cuban women from four different literary genres (autobiographical slave narrative, contemporary novel on slavery, testimonial narrative, and poetry): Incidents in the Life of a Slave Girl (1861) by the African American former slave Harriet Jacobs, Dessa Rose (1986) by the African American writer Sherley Ann Williams, Reyita, sencillamente: testimonio de una negra cubana nonagenarian Simply Reyita. Testimonial Narrative of a Nonagenarian Black Cuban Woman] (1996), written/transcribed by the Afro-Cuban historian Daisy Rubiera Castillo from her interviews with her mother Maria de los Reyes Castillo Bueno, "Reyita," and a selection of poems from the contemporary Afro-Cuban poets Nancy Morejon and Georgina Herrera. The study argues that the writers participate in black women's self-inscription in the historical process by positioning themselves as subjects of their history and seizing discursive control of their (hi)stories. Although the texts form part of separate discourses, the book explores the commonalities of the rhetorical devices and narrative strategies employed by the authors as they disassemble racist and sexist stereotypes, (re)constructing black female subjectivity through an image of active resistance against oppression, one that authorizes unconventional definitions of womanhood and motherhood. The book shows that in the womens' revisions of national history, their writings also demonstrate the pervasive role of racial and gender categories in the creation of a discourse of national identity, while promoting a historiography constructed within flexible borders that need to be negotiated constantly. The study's engagement in crosscultural exploration constitutes a step further in opening connections with a comparative literary study that is theoretically engaging, in order to include Afro-Cuban women writers and Afro-Caribbean scholars into scholarly discussions in which African American women have already managed to participate with a series of critical texts. The book explores connections between methods and perspectives derived from Western theories and from Caribbean and Black studies, while recognizing the black women authors studied as critics and scholars. In this sense, the book includes some of the writers' own commentaries about their work, taken from interviews (many of them conducted by the author Paula Sanmartin herself), as well as critical essays and letters. Black Women as Custodians of History adds a new dimension to the body of existing criticism by challenging the ways assumptions have shaped how literature is read by black women writers. Paula Sanmartin's study is a vivid demonstration of the strengths of embarking on multidisciplinary study. This book will be useful to several disciplines and areas of study, such as African diaspora studies, African American studies, (Afro) Latin American and (Afro) Caribbean studies, women's studies, genre studies, and slavery studies.

Fanvids, or vids, are short videos created in media fandom. Made from television and film sources, they are neither television episodes nor films; they resemble music videos but are non-commercial fanworks that construct creative and critical analyses of existing media. The creators of fanvids-called vidders-are predominantly women, whose vids prompt questions about media historiography and pleasures taken from screen media. Vids remake narratives for an attentive fan audience, who watch with a deep knowledge of the source text(s), or an interest in the vid form itself. Fanvids: Television, Women, and Home Media Re-Use draws on four decades of vids, produced on videotape and digitally, to argue that the vid form's creation and reception reveals a mode of engaged spectatorship that counters academic histories of media audiences and technologies. Vids offer an answer to the prevalent questions: What happens to television after it's been aired? How and by whom is it used and shared? Is it still television?

Femininity in the form of the donna-crisi, or "crisis-woman," was a fixture of fascist propaganda in the early 1930s. A uniquely Italian representation of the modern woman, she was cosmopolitan, dangerously thin, and childless, the antithesis of the fascist feminine ideal - the flashpoint for a range of anxieties that included everything from the changing social roles of urban women to the slippage of stable racial boundaries between the Italian nation and its colonies. Using a rich assortment of scientific, medical, and popular literature, Natasha V. Chang's The Crisis-Woman examines the donna-crisi's position within the gendered body politics of fascist Italy. Challenging analyses of the era which treat modern and transgressive women as points of resistance to fascist power, Chang argues that the crisis-woman was an object of negativity within a gendered narrative of fascist modernity that pitted a sterile and decadent modernity against a healthy and fertile fascist one.

This thoroughly documented book provides an overview of social policies affecting women in Germany, Italy, Denmark, Britain, Ireland, Norway, France and Sweden. The central theme is the relationship between paid and unpaid work, something very few European governments have been prepared explicitly to address as a social issue and which has yet to enter the European Commission's agenda.Contributors discuss the literature on women and welfare in their particular country concerned and outline the developments in social policies relating to women and the position of women in regard to reproductive and labour market behaviour in the post-War period. The essays analyse the assumptions behind policies affecting women's family and work lives and discuss specific legislative approaches to securing 'equality'. A concluding chapter discusses the European Community's contribution to the goal of equal opportunities for both men and women. The main aim of the book is to provide students with a source of easily accessible information about a major issue in social policy: the relationship between women, the family and employment.

This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

The Life and Work of Rosalba Carriera (1673-1757): The Queen of Pastel is the first extensive biographical narrative in English of Rosalba Carriera. It is also the first scholarly investigation of the external and internal factors that helped to create this female painter's unique career in eighteenth-century Europe. It documents the difficulties, complications, and consequences that arose then -- and can also arise today -- when a woman decides to become an independent artist. This book contributes a new, in-depth analysis of the interplay between society's expectations, generally accepted codices for gendered behaviour, and one single female painter's astute strategies for achieving success, as well as autonomy in her professional life as a famed artist. Some of the questions that the author raises are: How did Carriera manage to build up her career? How did she run her business and organize her own workshop? What kind of artist was Carriera? Finally, what do her self-portraits reveal in terms of self-enactment and possibly autobiographical turning points?

The Devil Wants YOU Busy, Bound and Burnt Out challenges us to dig deep to see if we are burying our emotional pain or are we working for other reasons. God spoke one time and said "You don't like it when your children assume anything and I don't like it when my children assume either." Building the temple was a good thing that David wanted to do, but the fact remained, God said "NO " Now if God had no problem saying "NO" and we are made in the image and likeness of God, why can't we say it?

God wants us to have life and more abundantly but first we must learn when to say no regardless of our internal drive to keep busy. Yes, the thief comes to steal, kill and destroy our health, relationships and even our lives; but Jesus came to give us life and more abundantly. However, in order for us to receive HIS life, we must first discover why we go beyond the call of duty and do things God or even we intended to do. As you read, The Devil Wants YOU Busy, Bound and Burnt Out, I want you to think of these words:

Why do you do the things you do Is a question that I'm asking you Do you do it to please the Master Or is your hand reaching out For the praise of men Time and Again If you are then your motives are wrong So listen very carefully To this little song Who do you love? The creature or Creator Who do you love The Giver or the gift Which do you love? The praise of men or Jesus 3 out of 6 Take your pick In Whom and which do you love Barbara A. Desormo

Carefree and beautiful, Peggy Yeats fell in love with an American serviceman stationed in Australia. After a hasty marriage in Queensland, Peggy's beau Hart was shipped off to war. During his absence, she gave birth to Diana Marie, the author who wrote this biography of her mother's life. When the war ended in 1945, the Australian wives of American servicemen received free passage to the United States to be reunited with their husbands whom they hadn't seen in years. Peggy, Diana, and hundreds of other Australian brides boarded the S.S. Lurline for the long voyage to the states. Peggy and Hart were reunited in San Francisco and the new family boarded a train to Wichita, Kansas, where they would live with Hart's parents until they could earn a living. Peggy found life in the United States difficult and longed to return to Australia. Weaving historical detail into the narrative, this poignant biography provides a vivid account of the life of one of more than 12,000 Australian war brides and of her journey to return her homeland. Dunny Mann's Picnic captures the feelings and thoughts of one woman's struggles and triumphs.

Naida Drew Anderson's journey spans nine decades, beginning in the early 1920s. Her story begins on her aunt and uncle's farm near Belleville, Ontario. Her childhood was clouded by the deaths of her sisters, as well as her mother's painful struggle with mental illness. Through it all, Naida stood strong, surviving these hardships to come of age at the beginning of World War II. Living near Canada's largest air force base provided her the opportunity to meet young pilots from all over the world. One handsome American flying ace named Johnny Anderson captured her heart and made her his wife. What followed was a story of love lost and love gained and of Naida's struggle to find a place in an alien world not of her choosing. All around her, society's perceptions of women and their roles were ever changing, redefining what women could achieve in the world. Open to possibilities, Naida nurtured romantic notions of life and eventually came to grips with the reality of human existence. People would come and go from her life, each contributing to her experience, her wisdom, her understanding; each helping her to answer the question that defined her journey: Who am I? Daughter, wife, lover, mother, cancer survivor-Naida has worn many titles. Now, comfortable in her retirement, she looks back at the path. Ultimately, it has been a lesson in resilience, living with the consequences of one's choices, and the value of remaining true to oneself.

America, Belgium, England, France, and the Netherlands all experienced political upheaval during the late eighteenth century. Women participated in these events in a variety of ways according to class and country. Not only was the nature of their participation different from that of men, but they were also affected by the political changes and economic developments in ways different from their male counterparts. The essays collected in this volume provide a comparative historical investigation of gender and political culture as they explore eighteenth-century revolutionary movements. The contributors bring a rich variety of sources, methods, and perspectives to the investigation, making this anthology a useful contribution to the study of comparative history. Included are sources from diaries, letters, petitions, public speeches and printed essays, newspaper reports, police records, and other government documents. Archival illustrations visually document this revolutionary era. Women and Politics in the Age of the Democratic Revolution analyzes the impact of women's participation on the courses and outcomes of specific upheavals, and assesses the impact of the political and institutional changes on women's lives and their political and social identities. Many of the papers point to the root of women's political engagement in neighborhood or village community life, and suggest that where local institutions were weakened by political revolution or economic growth, women often lost "protocitizenship." Drawing on the analyses of their contributors, the editors address the critical questions whether the late eighteenth century was in fact an age of democratic revolution for women. The investigation of such questions has profound implications for our evaluation of the nature and limits of democratic ideology and institutions. The collection will be of interest to scholars of modern European history, women's studies, comparative political history, the Enlightenment, and the Age of Revolution.

Why do women find work-life balance so hard? Can women "have it all?" Authors Detjen, Waters, and Watson probe these questions and more in The Orange Line - A Woman's Guide to Integrating Career, Family and Life. Through interviews with 118 college-educated women, they document the ongoing work-life struggle and how women hold themselves back with outdated ideals and rigid behavioral rules. The authors provide tools for women to take a new career path that includes work, family, and themselves, and to look inward to claim their power."