Italian Women Writers, 1800-2000: Boundaries, Borders, and Transgression investigates narrative, autobiography, and poetry by Italian women writers from the nineteenth century to today, focusing on topics of spatial and cultural boundaries, border identities, and expressions of excluded identities. This book discusses works by known and less-known writers as well as by some new writers: Sibilla Aleramo, La Marchesa Colombi, Giuliana Morandini, Elsa Morante, Neera, Matilde Serao, Ribka Sibhatu, Patrizia Valduga, Annie Vivanti, Laila Waida, among others; writers who in their works have manifested transgression to confinement and entrapment, either social, cultural, or professional; or who have given significance to national and transnational borders, or have employed particular narrative strategies to give voice to what often exceeds expression. Through its contributions, the volume demonstrates how Italian women writers have negotiated material as well as social and cultural boundaries, and how their literary imagination has created dimensions of boundary-crossing.

Throughout history certain forms and styles of dress have been deemed appropriate - or more significantly, inappropriate - for people as they age. Older women in particular have long been subject to social pressure to tone down, to adopt self-effacing, covered-up styles. But increasingly there are signs of change, as older women aspire to younger, more mainstream, styles, and retailers realize the potential of the 'grey market'. Fashion and Age is the first study to systematically explore the links between clothing and age, drawing on fashion theory and cultural gerontology to examine the changing ways in which age is imagined, experienced and understood in modern culture through the medium of dress. Clothes lie between the body and its social expression, and the book explores the significance of embodiment in dress and in the cultural constitution of age. Drawing on the views of older women, journalists and fashion editors, and clothing designers and retailers, it aims to widen the agenda of fashion studies to encompass the everyday dress of the majority, shifting the debate about age away from its current preoccupation with dependency, towards a fuller account of the lived experience of age. Fashion and Age will be of great interest to students of fashion, material culture, sociology, sociology of age, history of dress and to clothing designers.

By offering a new way of thinking about the role of politically engaged art, Susan Best opens up a new aesthetic field: reparative aesthetics. The book identifies an innovative aesthetic on the part of women photographers from the southern hemisphere, who against the dominant modes of criticality in political art, look at how cultural production can be reparative. The winner of the Art Association of Australia and New Zealand best book award in 2017, Reparative Aesthetics contributes an entirely new theory to the interdisciplinary fields of aesthetics, affect studies, feminist theory, politics and photography. Conceptually innovative and fiercely original this book will move us beyond old political and cultural stalemates and into new terrain for analysis and reflection.

Author Lynn Barnes admits she's known all along that she'd been a little different in ways she can't explain. In her memoir, The Last Exit before the Toll, she examines her life and tries to make sense of who and what she is and how her being affects her existence.

She reflects on growing up as an only child and her life now as a single, surrealist artist and Poe aficionado. Barnes recalls the events that have greatly impacted her, including the deaths of her mother and father and the suicide of her best friend, Marc. But it was the discovery that she has undiagnosed Asperger's syndrome that helped piece together the puzzle that has been her life and allowed her to come to terms with the troubling personality traits she has experienced all her life.

An insightful and creative look at Barnes's life, The Last Exit before the Toll provides a glimpse into the sometimes frustrating and unknown world of someone who lives with Asperger's syndrome.

Li Ang (1952-) is a famous and prolific feminist writer from Taiwan who challenges and subverts sociocultural traditions through her daring explorations of sex, violence, women's bodies and desire, and national politics. As a taboo-breaking writer and social critic, she uses fiction to expose injustice and represent human nature. Her political engagement further affords her a visionary perspective for interrogating the problematic intersection of gender and politics. The ambivalence in her fictional representations invites controversies and debates. Her works have thus helped raise awareness of the problems, open up discussions, and bring about social and intellectual changes. Some of her works have been translated into such foreign languages as English, French, German, and Japanese. In her career spanning over forty years, she has won numerous literary awards. Li Ang's Visionary Challenges to Gender, Sex, and Politics is the first collection of critical essays in English on Li Ang and some of her most celebrated works. Contributing historians examine her vital roles in the Taiwanese women's movement and political arenas, as well as the social influence of her publications on extramarital affairs. Contributing literary scholars investigate the feminist controversy over her 1983 award-winning novel, Shafu (Killing the Husband; translated as The Butcher's Wife); offer alternative interpretative strategies such as looking into figurations of "biopower" and relationship dynamics; dissect the subtle political significance in her magnificent novel Miyuan (The labyrinthine garden; 1991) and explosive political fiction, Beigang xianglu renren cha (Everyone sticks incense into the Beigang censer; 1997) from the perspective of gender and national identity; scrutinize the multiple discursive levels in her superb novel Qishi yinyuan zhi Taiwan/Zhongguo qingren (Seven prelives of affective affinity: Taiwan/China lovers; 2009); and analyze the "(dis)embodied subversion" accomplished by her fantastic Kandejian de gui (Visible ghosts; 2004). As the first volume in English to examine Li Ang's trail-blazing discourse on gender, sex, and politics, this work will inspire more studies of her oeuvre and contribute usefully to the fields of modern Taiwanese and Chinese literature, feminist studies, and comparative literature.

The acceleration of economic globalization and the rapid global flows of people, cultural goods, and information have intensified the importance of developing transnational understandings of contemporary issues. Transnational feminist perspectives have provided a unique outlook on women's lives and have deepened our understanding of the gendered nature of global processes.Transnational Feminism in the United Statesexamines how transnational perspectives shape the ways in which we produce, consume, and disseminate knowledge about the world within the United States, and how the paradigm of transnational feminism is affected in nuanced ways by national narratives and public discourses within the country itself.An innovative theoretical project that is both deconstructive and constructive, this bookinterrogates the limits of feminist thought, primarily through case studies that illustrate its power to create entirely new fields of research out of traditionally interdisciplinary lines of inquiry. Leela Fernandes discusses ways to approach, analyze, and capture processes that exceed and unsettle the nation-state within the transnational feminist paradigm. Examining the links between power and knowledge that bind interdisciplinary theory and research, she shines new light on issues such as human rights and the United States war on terror as well as academic debates about transnational feminist perspectives on global issues. A commanding and thought-provoking analysis, Transnational Feminism in the United Statespowerfully contributes to central debates in the field of Women's Studies and related cross-disciplinary scholarship on feminist theory and gender from a global perspective.Leela Fernandesis Professor of Women's Studies and Political Science at the University of Michigan, and author ofIndia's New Middle Class: Democratic Politics in an Era of Economic Reform;Producing Workers: The Politics of Gender, Classand Culture in the Calcutta Jute Mills; andTransforming Feminist Practice.

Your guide to thriving in midlife.

Women have been conditioned to look out for everyone else, especially in midlife. Between raising a family, caring for ageing parents, striving in our careers and tackling never-ending to-do lists - we can often find ourselves fading into the background.

It's time to put ourselves first. Movement leader, and founder of the award-winning platform The Latte Lounge, Katie Taylor brings together renowned experts to inform and empower you through every step of your midlife journey. With advice from leading doctors, psychologists, dermatologists, dieticians, athletes, lawyers and more, this midlife manual will help you to make your next chapter the best one yet.

Foluke Joyce Omosule never forgot the love she received as a child and all the kindhearted people she grew up with in the southwestern part of Nigeria.

Raised by her grandparents, her parents were always in her life, and their caring and concern gave her the strength to overcome the many challenges she faced as she fought to get an education.

Her hard work paid off in the form of opportunities--and one of them was the chance to go to the United States to continue her education. Even after leaving home, she was constantly reminded of who she was and where she came from, and trust and intuition helped her move from one stage of life to the next.

Whether you're seeking to fit into a new place or trying to create a better life for yourself, you can find inspiration in the challenges, fears, and pain that Foluke overcomes in Behind the Glass Door.

Global Women Leaders transports the reader into the fascinating lives of trailblazers in four very different countries. All were change-makers in their professions, and all of them confronted the challenges women everywhere will recognize as their own. How they succeeded, despite roadblocks, is both inspiring and instructive. Each gives us sound advice on a range of familiar hurdles from those associated with work and family to lack of confidence and sexism. If you want to know how to achieve authentic leadership, this is the book for you.' - Melanne Verveer, Georgetown University, US Global Women Leaders showcases narratives of women in business, nonprofit organizations and the public sector who have achieved leadership positions despite cultural obstacles and gender bias. Featuring leaders from India, Japan, Jordan and the United Kingdom, the book examines how these women have overcome challenges and served as role models in their professions. Regina Wentzel Wolfe and Patricia H. Werhane present stories of these women leaders within their unique cultural contexts. Standout features include models of feminist leadership behaviors and interrogations of the dominant paradigm of male leadership. Challenges for women in the workplace, systems thinking and various female leadership styles are also explored. The successes of the leaders featured in this book will be of interest to those in public, private and nonprofit sector organizations as well as academics and students teaching and studying feminist leadership, MBA students and entrepreneurs.

At just twenty-three years old, Shauna Reid weighed 351 pounds. Spurred into action by the sight of her enormous white knickers billowing on the clothesline, she created the hugely successful blog "The Amazing Adventures of Dietgirl." Hiding behind her Lycra-clad, roly-poly alter-ego, her transformation from couch potato to svelte goddess began.

Today, eight thousand miles, seven years, and 175 pounds later, the gloriously gorgeous Shauna is literally half the woman she used to be. Hysterically funny and heart-wrenchingly honest, "The Amazing Adventures of Dietgirl" includes travel tales from Australia to Paris to Red Square, plus romance when she meets the man of her dreams in a Scottish pub. This is the uplifting true story of a young woman who defeated her demons and conquered her cravings to become a real-life superhero to inspire us all.

Feminist Theory and the Bible: Interrogating the Sources conceptualizes, contextualizes and maps a new kind of burgeoning scholarship that has grown up in recent decades. This scholarship emerged in the margins of Feminist Studies and Biblical Studies and has yet to find a foothold in either one of these more established contexts. In this book, Esther Fuchs argues that in order to find an enduring, stable place in the academe, this scholarship requires a theoretical perspective. Biblical Studies as a whole has not yet been sufficiently theorized as an academic field, and currently consists of multiple disciplines relying for the most part on traditional scholarly discourses. In this regard, Feminist Biblical Studies is both a departure from and an important supplement to both Feminist Studies and Biblical Studies.

Lombard Street is Walter Bagehot's famous explanation of the England central banking system established during the 19th century. At the time Bagehot wrote, the United Kingdom was at the peak of its influence. The Bank of England in London, was one of the most powerful institutions in the world. Working as an economist at the time, Walter Bagehot sets about explaining how the British government and the Bank of England interact. Leading on from this, he explains how the Bank of England and other banks - the Joint-Stock and Private banking companies - do the business of finance. Bagehot is not afraid to admit that life at the bank is usually quite boring, albeit punctuated by short periods of sudden excitement. The sudden boom of a market, or sudden fluctuations in the credit system, can create an excited demand for money. The eruption of an economic depression, which Bagehot aptly notes is rapidly contagious around different sectors of the economy, can also make working in the bank a lot less tedious.

This interdisciplinary study explores how US Mexicana and Chicana authors and artists across different historical periods and regions use domestic space to actively claim their own histories. Through "negotiation"-a concept that accounts for artistic practices outside the duality of resistance/accommodation-and "self-fashioning," Marci R. McMahon demonstrates how the very sites of domesticity are used to engage the many political and recurring debates about race, gender, and immigration affecting Mexicanas and Chicanas from the early twentieth century to today. Domestic Negotiations covers a range of archival sources and cultural productions, including the self-fashioning of the "chili queens" of San Antonio, Texas, Jovita Gonzalez's romance novel Caballero , the home economics career and cookbooks of Fabiola Cabeza de Baca, Sandra Cisneros's "purple house controversy" and her acclaimed text The House on Mango Street , Patssi Valdez's self-fashioning and performance of domestic space in Asco and as a solo artist, Diane Rodriguez's performance of domesticity in Hollywood television and direction of domestic roles in theater, and Alma Lopez's digital prints of domestic labor in Los Angeles. With intimate close readings, McMahon shows how Mexicanas and Chicanas shape domestic space to construct identities outside of gendered, racialized, and xenophobic rhetoric.