Challenging the idea that rituals are static and emotions irrational, the volume explores the manifold qualities of emotions in ritual practices. Focusing explicitly on the relationship between emotions and rituals, it poses two central questions. First, how and to what extent do emotions shape rituals? Second, in what way are emotions ritualized in and beyond rituals? Strong emotions are generally considered to be more spontaneous and uncontrolled, whereas ritual behaviour is regarded as planned, formalized and stereotyped, and hence less emotional. However, as the volume demonstrates, rituals often reveal strong emotions among participants, are motivated by feelings, or are intended to generate them. The essays discuss the motivation for rituals; the healing function of emotions; the creation of new emotions through new media; the aspect of mimesis in the generation of feelings; individual, collective, and non-human emotions; the importance of trance and possession; staged emotions and emotions on stage; emotions in the context of martyrdom; emotions in Indian and Western dance traditions; emotions of love, sorrow, fear, aggression, and devotion. Furthermore, aesthetic and sensory dimensions, as well as emic concepts, of emotions in rituals are underscored as relevant in understanding social practice.

The Jewish coming-of-age ceremony of bar mitzvah was first recorded in thirteenth-century France, where it took the form of a simple statement by the father that he was no longer responsible for his thirteen-year-old son. Today, bar mitzvah for boys and bat mitzvah for girls are more popular than at any time in history and are sometimes accompanied by lavish celebrations. How did bar mitzvah develop over the centuries from an obscure legal ritual into a core component of Judaism? How did it capture the imagination of even non-Jewish youth? Bar Mitzvah, a History is a comprehensive account of the ceremonies and celebrations for both boys and girls. A cultural anthropology informed by rabbinic knowledge, it explores the origins and development of the most important coming-of-age milestone in Judaism. Rabbi Michael Hilton has sought out every reference to bar mitzvah in the Bible, the Talmud, and numerous other Jewish texts spanning several centuries, extracting a fascinating miscellany of information, stories, and commentary.

Mecca the Blessed, Medina the Radiant is an unprecedented photographic exploration of the holiest cities of Islam and the Hajj, or annual pilgrimage during Ramadan when more than a million faithful journey to Mecca's Great Mosque to commemorate the first revelation of the Qur'an (Koran). This book allows both Muslims and those unfamiliar with the Islamic faith complete access to the holiest sites of one of the world's major religions, practiced by a quarter of the world's population but often misunderstood in the West. Photographer Ali Kazuyoshi Namachi, a Muslim convert from Japan, garnered the full support of Saudi Arabian authorities--rarely given--to shoot in cities where photography is strictly controlled, and non-Muslims are not allowed. An expansive work of photojournalism, Mecca the Blessed, Medina the Radiant includes: 140 full-color, never-before-seen photographs Mystical places and scenes of Islam Breathtaking aerial photographs of the Arabian terrain Vistas of teeming crowds of worshippers surrounding the Kasbah, Mecca's sacred center Intense portraits of faithful Muslims in prayer Magnificent architecture reflecting the faith of the believers Archival illustrations Text by Seyyed Hossein Nasr, one of the most highly regarded scholars of Islam, enhances the stunning Islamic holy city photographs to illuminate many aspects of Islamic belief that have remained enigmatic to non-Muslims--until now.

This book is the crowning achievement of the remarkable scholar D. Dennis Hudson, bringing together the results of a lifetime of interdisciplinary study of south Indian Hinduism.
The book is a finely detailed examination of a virtually unstudied Tamil Hindu temple, the Vaikuntha Perumal (ca. 770 C.E.). Hudson offers a sustained reading of the temple as a coherent, organized, minutely conceptualized mandala. Its iconography and structure can be understood in the light of a ten-stanza poem by the Alvar poet Tirumangai, and of the Bhagavata Purana and other major religious texts, even as it in turn illuminates the meanings of those texts.
Hudson takes the reader step by step on a tour of the temple, telling the stories suggested by each of the 56 sculpted panels and showing how their relationship to one another brings out layers of meaning. He correlates the stories with stages in the spiritual growth of the king through the complex rituals that formed a crucial dimension of the religion. The result is a tapestry of interpretation that brings to life the richness of spiritual understanding embodied in the temple.
Hudson's underlying assumption is that the temple itself constitutes a summa theologica for the Pancharatra doctrines in the Bhagavata tradition centered on Krishna as it had developed through the eighth century. This tradition was already ancient and had spread widely across South Asia and into Southeast Asia. By interweaving history with artistic, liturgical, and textual interpretation, Hudson makes a remarkable contribution to our understanding of an Indian religious and cultural tradition.

First published in 1952. The Real Tripitaka gives an account of the seventh century pilgrim's adventures, spiritual and material, both in India and after his return to China. In addition the book contains an account of a Japanese pilgrim's visit to China in the ninth century, which describes the Wu-t'ai Shan, China's great place of Pilgrimage, and an eye-witness's account of the great persecution of Buddhism in 842-845 A.D.

Providing an overall interpretation of the Buddhist monument Borobudur in Indonesia, this book looks at Mahayana Buddhist religious ideas and practices that could have informed Borobudur, including both the narrative reliefs and the Buddha images. The author explores a version of the classical Mahayana that foregrounds the importance of the visual in relation to Buddhist philosophy, meditation, devotion, and ritual. The book goes on to show that the architects of Borobudur designed a visual world in which the Buddha appeared in a variety of forms and could be interpreted in three ways: by realizing the true nature of his teaching, through visionary experience, and by encountering his numinous presence in images. Furthermore, the book analyses a particularly comprehensive and programmatic expression of Mahayana Buddhist visual culture so as to enrich the theoretical discussion of the monument. It argues that the relief panels of Borobudur do not passively illustrate, but rather creatively "picture" selected passages from texts. Presenting new material, the book contributes immensely to a new and better understanding of the significance of the Borobudur for the field of Buddhist and Religious Studies.

"Why me?" Why do we suffer? How can we heal?

"Spiritual suffering must be differentiated from physical pain, although the two are intertwined in such a way that it is nearly impossible to distinguish one from the other. We suffer spiritually when we do not grow from our illness, when we do not learn from the experience of physical and emotional pain." from the Introduction

Too many of us faced with bodily illness, whether our own or that of a loved one, feel lost as to what to do or how to handle it.

Grounded in the spiritual traditions of Judaism, this book provides healing rituals, psalms and prayers that help us initiate a dialogue with God, to guide us through the complicated path of healing and wholeness. Olitzky explores: What Judaism teaches us about healing Finding the meaning of illness in Jewish tradition How to draw on prayers, services, psalms, and other spiritual resources for healing How to grow by fully embracing the process of recovery

Olitzky brings together his inspiring guidance in using Jewish texts with his own experience dealing with illness in others including those he loves to demonstrate how the healing of the soul is an indispensable counterpart to curing the body.

The Strangeness of Gods combines studies of changes in modern interpretations of Greek religion with studies of changes in Athenian ritual. The combination is necessary in order to combat influential stereotypes: that Greek religion consisted of ritual without theological speculation, that ritual is inherently conservative. To re-examine the evidence for Greek rituals and their interpretation is also to re-examine our own preconceptions and prejudices. The argument presented by S. C. Humphreys tries to bring Greek texts closer to the "classic" texts of other civilizations, and religion, as a form of speculative thought, closer to science. Her studies of Athenian rituals put this emphasis on changing interpretations into practice, showing that the Athenians thought about their rites as well as celebrating them.

Receive Your Miracle from GodGeorge Mller was the worst of sinners--a thief and a liar. But after turning to Christ, he provided for over 10,000 orphans--without ever asking anyone but God to supply his needs! He testified that he knew of at least 50,000 specific answers to his prayers. Here are his reports of a few of the most spectacular ones.From his amazing personal experiences, you will find the secret to receiving miraculous answers to your prayers.

The Zen Way is an invaluable introduction to Zen practice. It is divided into three parts: in the first, Ven. Myokyo-ni provides an overview of Buddhist belief in general, from the perspective of Zen. In her second part, she describes the daily rituals in a Rinzai Zen training monastery; while in the third, Ven. Myokyo-ni assesses Zen practice from a modern and European perspective.

This book looks at the way in which women's making of ritual has emerged from the rapidly developing field of women's spirituality and theology. The author uses ethnographic material drawn from her personal experience in working with individuals and groups to show how the construction of ritual is a practice which uses storymaking and embodied action to empower women. She argues that ritual, far from being a timeless and universal practice, is a contextual and gendered performance in which women subvert conventional distinctions of private and public. She includes stories of women who have created or participated in their own rituals to mark significant changes and transition in their lives, and reflects on these in the light of ritual theory. The book interweaves narrative and interview material drawn from case studies with insights drawn from feminist theology and theory, social anthropology and gender studies to show that the making of ritual for women is a transformative process which empowers them in constructing identity and agency. The writer shows how women are drawing from both Christian feminist theology and broader understandings of spirituality to construct their own understanding of God/Goddess through the rituals they enact.

The author applies the fields of gender studies, psychoanalysis, and literature to Talmudic texts. In opposition to the perception of Judaism as a legal system, he argues that the Talmud demands inner spiritual effort, to which the trait of humility and the refinement of the ego are central. This leads to the question of the attitude to the Other, in general, and especially to women. The author shows that the Talmud places the woman (who represents humility and good-heartedness in the Talmudic narratives) above the character of the male depicted in these narratives as a scholar with an inflated sense of self-importance. In the last chapter (that in terms of its scope and content could be a freestanding monograph) the author employs the insights that emerged from the preceding chapters to present a new reading of the Creation narrative in the Bible and the Rabbinic commentaries. The divine act of creation is presented as a primal sexual act, a sort of dialogic model of the consummate sanctity that takes its place in man's spiritual life when the option of opening one's heart to the other in a male-female dialogue is realized.

For nearly twenty years, the beloved Guide to Prayer books have been sought after and used by thousands who hunger for God. Readers appreciate the simple structure of daily worship, the rich spiritual writings, the lectionary guidelines, and poignant prayers have all contributed to the long-lasting need for these rich resources. Now Rueben P. Job and Norman Shawchuck offer a third volume, A Guide to Prayer for All Who Seek God. Like its predecessors, this Guide offers a daily pattern for those seeking a rhythm of devotion and personal worship. A Guide to Prayer for All Who Seek God follows the Christian year and the lectionary readings. Each day offers guidance for an opening affirmation, a petition of prayer, and daily scripture selections. The Readings for Reflection reach back to early Christian classics and include voices from recently published works. Excerpts come from writers such as Frederick Buechner, Joyce Rupp, Henri Nouwen, Mother Teresa, Howard Thurman, C.S. Lewis, Dietrich Bonhoeffer, John Wesley, and many others. These excerpts are arranged in weekly themes. Job and Shawchuck also include spiritually grounded explanations of the seasons of the church year to introduce each section of the book. This deluxe edition includes Bible binding, a ribbon bookmark, round corners, gold edges, and a leather-like cover in emerald green.

The twentieth century has been called a "century of horror". Proof of that, designation can be found in the vast and ever-increasing volume of scholarly work on violence, trauma, memory, and history across diverse academic disciplines. This book demonstrates not only the ways in which the wars of the twentieth century have altered theological engagement and religious practice, but also the degree to which religious ways of thinking have shaped the way we construct historical narratives. Drawing on diverse sources - from the Hebrew Bible to Commonwealth war graves, from Greek tragedy to post-Holocaust theology - Alana M. Vincent probes the intersections between past and present, memory and identity, religion and nationality. The result is a book that defies categorization and offers no easy answers, but instead pursues an agenda of theological realism, holding out continued hope for the restoration of the world.

Over several years, Christian Suhr followed Muslim patients being treated for jinn possession and psychosis in a Danish mosque and in a psychiatric hospital. Through rich filmic and textual case studies, he shows how the bodies and souls of Muslim patients become a battlefield between the moral demands of Islam and the psychiatric institutions of European nation-states. The book reveals how both psychiatric and Islamic healing work to produce relief from pain, and also entail an ethical transformation of the patient and the cultivation of religious and secular values through the experience of pain. Creatively exploring the analytic possibilities provided by the use of a camera, both text and film show how disruptive ritual techniques are used in healing to destabilise individual perceptions and experiences of agency, which allows patients to submit to the invisible powers of psychotropic medicine or God. -- .