Daphne du Maurier: Writing, Identity and the Gothic Imagination is
the first full-length evaluation of du Maurier's fiction and the
first critical study of du Maurier as a Gothic writer. Horner and
Zlosnik argue that the fears at the heart of du Maurier's Gothic
fictions reflect both personal and broader cultural anxieties
concerning sexual and social identity. Using the most recent work
in Gothic and gender studies they enter the current debate on the
nature of Female Gothic and raise questions about du Maurier's
relationship to such a tradition.
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