This study is an unorthodox approach to the origin, historicity,
and authorship of the anonymous Icelandic sagas. Following the
publication of her translation of the LaxdOEla Saga, in this volume
Madelung uses her deep knowledge of the text to demonstrate the
literary quality and aesthetic structure of the work, especially
the function of repetition. She shows that the Saga contains a
historical-political analogy between the period in which the story
is set (the eleventh century) and the saga-author's own time two
centuries later. The apparently straightforward prose is
camouflage, and the symbolism provides the key to the hidden
analogy.
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