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Troy on Display - Scepticism and Wonder at Schliemann's First Exhibition (Paperback)
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Troy on Display - Scepticism and Wonder at Schliemann's First Exhibition (Paperback)
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This book explores what visitors saw at the Trojan exhibition and
why its contents, including treasure, plain pottery and human
remains captured imaginations and divided opinions. When
Schliemann's Trojan collection was first exhibited in 1877, no-one
had seen anything like it. Schliemann claimed these objects had
been owned by participants in the Trojan War and that they were
tangible evidence that Homer's epics were true. Yet, these objects
did not reflect the heroic past imagined by Victorians, and a
fierce controversy broke out about the collection's value and
significance. Schliemann invited Londoners to see the very
unclassical objects on display as the roots of classical culture.
Artists, poets, historians, race theorists, bankers and humourists
took up this challenge, but their conclusions were not always to
Schliemann's liking. Troy's appeal lay in its materiality: visitors
could apply analytical techniques (from aesthetic appreciation to
skull-measuring) to the collection and draw their own conclusions.
This book argues for a deep examination of museum exhibitions as a
constructed spatial experience, which can transform how the past is
seen. This new angle on a famous archaeological discovery shows the
museum as a site of controversy, where hard evidence and wild
imagination came together to form a lasting image of Troy.
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