One dimensional television characters are a thing of the
past-today's popular shows feature intricate storylines and well
developed characters. From the brooding Damon Salvatore in The
Vampire Diaries to the tough-minded Rick Grimes in The Walking
Dead, protagonists are not categorically good, antagonists often
have relatable good sides, and heroes may act as antiheroes from
one episode to the next. This collection of new essays examines the
complex characters in Orange Is the New Black, Homeland, Key &
Peele, Oz, Empire, Breaking Bad, House, and Buffy the Vampire
Slayer.
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