Improvisation is a performance practice that animates and
activates diverse energies of inspiration, critique, and invention.
In recent years it has coalesced into an exciting and innovative
new field of interdisciplinary scholarly inquiry, becoming a
cornerstone of both practical and theoretical approaches to
performance."
The Improvisation Studies Reader" draws together the works of
key artists and thinkers from a range of disciplines, including
theatre, music, literature, film, and dance. Divided by keywords
into eight sections, this book bridges the gaps between these
fields. The book includes case studies, exercises, graphic scores
and poems in order to produce a teaching and research resource that
identifies central themes in improvisation studies. The sections
include:
- Listening
- Trust/Risk
- Flow
- Dissonance
- Responsibility
- Liveness
- Surprise
- Hope
Each section of the Reader is introduced by a newly commissioned
think piece by a key figure in the field, which opens up research
questions reflecting on the keyword in question.
By placing key theoretical and classic texts in conversation
with cutting-edge research and artists statements, this book
answers the urgent questions facing improvising artists and
theorists in the mediatized Twenty-First Century. "
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