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Windfarm Visualisation - Perspective or Perception? (Hardcover)
Loot Price: R2,089
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Windfarm Visualisation - Perspective or Perception? (Hardcover)
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As windfarms proliferate across the UK, visualisation as a means of
predicting the scale and impacts of wind turbines has become a
highly controversial subject. The purpose of any visualisation is
to inform so that judgements can be made by professionals and the
general public alike. Yet after nearly two decades,
post-construction shocks are still common and the public demand for
comprehensible and reliable pre-planning visuals increases. In
Windfarm Visualisation, the author draws together a blend of
knowledge and experience to explain the many scientific disciplines
involved. He gives an overview of how some simple fixed standards
facilitate proper validation and testing to restore confidence in
visualisations which allow realistic prediction and effective
planning. Photography is both an art and a science which, if used
scientifically, must be capable of being tested. Current practice
is found at best to be impractical and at worst an artifice to
diminish potential impacts. Under scrutiny, flaws in the adopted
methodology are exposed, pseudo-science is repudiated and
wide-ranging problems for the public, planners and decision-makers
explored and explained.The assumption that perspective geometry
equates to what we see is challenged and the case is made that
visual representation must take full account of human visual
perception. This simple subject has been subverted by needless
complexity. In Windfarm Visualisation this complexity is stripped
away to provide a refreshingly informative text covering the
fundamentals of photomontage visualisation, the unique challenges
of representing windfarms and some simple recommendations for fixed
photographic standards and presentation formats to restore
confidence in predictive visualisation. It is also a scientific
detective story into what we see, how it can be misrepresented and
manipulated by self-interested parties and how visualisation itself
has become the unwitting victim of its own potential to reliably
inform the planning system and the public.
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