Alan Read asserts that there is no split between the practice and
theory of theatre, but a divide between the written and the
unwritten. In this revealing book, he sets out to retrieve the
theatre of spontaneity and tactics, which grows out of the
experience of everyday life. It is a theatre which defines itself
in terms of people and places rather than the idealised empty space
of avant garde performance. Read examines the relationship between
an ethics of performance, a politics of place and a poetics of the
urban environment. His book is a persuasive demand for a critical
theory of theatre which is as mentally supple as theatre is
physically versatile.
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