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Heterographies - Sexual Difference in French Autobiography (Hardcover, First)
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Heterographies - Sexual Difference in French Autobiography (Hardcover, First)
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Within the domain of French literary analysis, gender criticism has
until now focused primarily on women's writing and has drawn
largely on the writings of French feminist theorists, even though
male-authored texts provide an equally revealing window through
which to analyze gender. Except by mainly male critics working
predominantly in the field of gay and queer studies, the issue of
how 'maleness' informs the construction of the self and the
creative act more broadly has been virtually ignored. Further, even
though much more work has been done on women, it can be argued that
the construction of 'femaleness' is most profitably illuminated by
an approach that allows for a comparison between the sexes.
This book starts with the premise that sex and gender are
fundamental components of the autobiographical writing of both
sexes. This is demonstrated through close readings of works by a
number of twentieth-century authors who are paired, one male with
one female. In tackling, amongst other things, colonial and
postcolonial writing, Aids writing, the question of photography and
fetishism, queer politics and culture in writings by Sartre,
Beauvoir, Gide, Duras, Guibert, Cardinal, Leduc and Doubrovsky,
this book provides an excellent model for analyzing gender and the
autobiographical act more broadly.
Winner of the R. H. Gapper Prize 2000
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