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Ashcan Art, Whiteness, and the Unspectacular Man (Hardcover)
Loot Price: R4,374
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Ashcan Art, Whiteness, and the Unspectacular Man (Hardcover)
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Arriving in New York City in the first decade of the twentieth
century, six painters-Robert Henri, John Sloan, Everett Shinn,
Glackens, George Luks, and George Bellows, subsequently known as
the Ashcan Circle-faced a visual culture that depicted the urban
man as a diseased body under assault. Ashcan artists countered this
narrative, manipulating the bodies of construction workers, tramps,
entertainers, and office workers to stand in visual opposition to
popular, political, and commercial cultures. They did so by
repeatedly positioning white male bodies as having no cleverness,
no moral authority, no style, and no particular charisma, crafting
with consistency an unspectacular man. This was an attempt, both
radical and deeply insidious, to make the white male body stand
outside visual systems of knowledge, to resist the disciplining
powers of commercial capitalism, and to simply be with no
justification or rationale. Ashcan Art, Whiteness, and the
Unspectacular Man maps how Ashcan artists reconfigured urban
masculinity for national audiences and reimagined the possibility
and privilege of the unremarkable white, male body thus shaping
dialogues about modernity, gender, and race that shifted visual
culture in the United States.
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