In recent decades, scholars working in postcolonial history have
successfully challenged the primacy of Western historiography and
its Eurocentric worldview. With "Unsettling History," a group of
historians extend that challenge to two central components of work
in history: archiving and narrating. Archival resources, they
argue, despite their air of impartiality, are the product of
established interests and subject to various practices of
selection, cataloguing, and preservation. Narrating, too, is more
complicated than it might at first seem, especially as the range of
genres available to the historians for presenting their findings
has expanded in recent years.
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