Books > Language & Literature > Literature: history & criticism > Literary studies > 16th to 18th centuries
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Women and Dramatic Production 1550 - 1700 (Hardcover)
Loot Price: R4,067
Discovery Miles 40 670
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Women and Dramatic Production 1550 - 1700 (Hardcover)
Series: Longman Medieval and Renaissance Library
Expected to ship within 12 - 17 working days
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There is a traditional view that women were absent from the field
of dramatic production in the early modern period because of their
exclusion from professional theatre. Women and Dramatic Production
1550-1700 challenges this view and breaks new ground in arguing
that, far from writing in closeted retreat, a select number of
women took an active part in directing and controlling dramatic
self-representations. Examining texts from the mid-sixteenth
century through to the end of the seventeenth, the chapters trace
the development of a women-centred aesthetic in a variety of
dramatic forms. Plays by noblewomen such as Mary Sidney, Elizabeth
Cary, Mary Wroth, Rachel Fane and the women of the Cavendish
family, form an alternative dramatic tradition centred on the
household. The powerful directorial and performative roles played
by queens in royal progresses and masques are explored as examples
of women's dramatic production in the royal court. The book also
highlights women's performances in alternative venues, such as the
courtroom and the pulpit, arguing that the practices of martyrs
like Margaret Clitherow or visionaries like Anna Trapnel call into
question traditional definitions of theatre. The challenges faced
by women who were admitted to the professional theatre companies
after 1660 are explored in two chapters which deal with the plays
of Katherine Philips, Elizabeth Polwhele, Aphra Behn, and Mary Pix,
among others. By considering the theatrical dimensions of a wide
range of early modern women's writing, this book reveals the
breathtaking panorama of women's dramatic production and will be
essential reading for students of women's writing and renaissance
drama.
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