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Reframing Reality - The Aesthetics of the Surrealist Object in French and Czech Cinema (Paperback)
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Reframing Reality - The Aesthetics of the Surrealist Object in French and Czech Cinema (Paperback)
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Marcel Duchamp's urinal re-named 'fountain' and placed in an art
gallery. The classic image that can be seen as a duck or a rabbit,
depending on how you look at it. A random object that grabs your
attention and, like a Freudian slip, sums up whatever's on your
mind. These are just a few examples of surrealist objects, items
from everyday life that have something to tell us about the
workings of the unconscious. In Reframing Reality, Alison Frank
argues that the surrealist object offers a promising new way of
understanding surrealism's legacy in cinema. Early studies of
surrealist cinema restricted themselves to the handful of films
that received official approval from the surrealist group. More
recent studies have looked more broadly at films that explore the
unconscious as a theme. Reframing Reality is the first to use the
specifically surrealist concept of the surrealist object to trace
the influence of surrealism in a broader range of films. When
objects to do more than just advance the storyline, or have a
mysterious meaning that is never fully explained, they are
imitating the form of the surrealist object. Reframing Reality
finds surrealist objects in films by Luis Bunuel and Jan
Svankmajer, who acknowledged the importance of surrealism in their
work, but also in the films of Rene Clair, Jean-Pierre Jeunet and
the directors of the Czech New Wave, for whom surrealism was just
one of many influences. By looking more closely at the role of
objects in films, particularly those made during times of great
change in the industry, we can gain a better understanding of both
the legacy of surrealism in cinema and film language more
generally.
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