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Walter Benjamin's Concept of the Image (Hardcover)
Loot Price: R4,364
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Walter Benjamin's Concept of the Image (Hardcover)
Series: Routledge Studies in Twentieth-Century Philosophy
Expected to ship within 12 - 17 working days
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In this book, Alison Ross engages in a detailed study of Walter
Benjamin's concept of the image, exploring the significant shifts
in Benjamin's approach to the topic over the course of his career.
Using Kant's treatment of the topic of sensuous form in his
aesthetics as a comparative reference, Ross argues that Benjamin's
thinking on the image undergoes a major shift between his 1924
essay on 'Goethe's Elective Affinities,' and his work on The
Arcades Project from 1927 up until his death in 1940. The two
periods of Benjamin's writing share a conception of the image as a
potent sensuous force able to provide a frame of existential
meaning. In the earlier period this function attracts Benjamin's
critical attention, whereas in the later he mobilises it for
revolutionary outcomes. The book gives a critical treatment of the
shifting assumptions in Benjamin's writing about the image that
warrant this altered view. It draws on hermeneutic studies of
meaning, scholarship in the history of religions and key texts from
the modern history of aesthetics to track the reversals and
contradictions in the meaning functions that Benjamin attaches to
the image in the different periods of his thinking. Above all, it
shows the relevance of a critical consideration of Benjamin's
writing on the image for scholarship in visual culture, critical
theory, aesthetics and philosophy more broadly.
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