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The Films of Ousmane Semb Ne - Discourse, Culture, and Politics (Hardcover, New)
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The Films of Ousmane Semb Ne - Discourse, Culture, and Politics (Hardcover, New)
Series: Cambria Contemporary Global Performing Arts
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Ousmane Sembene was a Senegalese film director, producer, and
writer whom the Los Angeles Times considered one of the greatest
authors of Africa. Often called the "father of African film,"
Sembene strongly believed that African films should be geared
primarily toward educating the masses and making the philosophical
quandaries and political issues contested by elites accessible to
the poor and those with little to no formal education.Although
Sembene's central aim was to reach African audiences and encourage
a dialogue within Senegalese society, his films are also
extraordinarily effective in introducing non-African audiences to
many of the most intriguing cultural issues and social changes
facing African people today. The films are not fast paced in the
manner of many Hollywood films. Rather, they are deliberately
unhurried and driven by the narrative. They show actual ways of
life, social relations, and patterns of communication and
consumption, and the joys and tribulations of West African people.
For people who have never been to Africa, the films offer an
accessible first gaze. For those who have visited or lived in an
African culture, the films provide a way to explore African society
and culture more profoundly. Sembene was an independent filmmaker,
solely and totally responsible for the content of his films, which
were inspired by the realities of daily life. This focus on
microcosmic social relations and day-to-day politics is so central
to Sembene art, his films breed provocative commentary on social,
historical, political, economic, linguistic, religious, and gender
issues relevant to Senegalese society. Because of his concern with
daily Senegalese life, Sembene targeted the common people whose
voices are seldom or never heard. In fact, depicting the struggles
and concerns of average Senegalese people was a central
preoccupation of his films, as he himself has articulated. This
study examines the artistry of Sembene's films as well as the
multitude of signifying elements Sembene uses in them to
communicate in less direct ways with his audience. The book
interprets the meaning conveyed by images through their placement
and function within the films, and it contributes new insights into
Sembene's interpretations of cultural practices and the meanings he
ascribes to social behaviors. It examines how Sembene uses
language, mise-en-scene, cinematography, and creative editing to
evoke the emotions of his targeted audience. Several chapters in
the volume also demonstrate how the many ironies and political
economic tensions that are so characteristic of Sembene's work are
best understood within the sociocultural context of each film's
production. Hence, to make sense of Sembene's cinema, one must be
willing to read beyond the denoted meaning of the storyline and to
dig into the cultural significance of the carefully selected and
manipulated codes and images.
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