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Frontiers of Pleasure - Models of Aesthetic Response in Archaic and Classical Greek Thought (Hardcover, New)
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Frontiers of Pleasure - Models of Aesthetic Response in Archaic and Classical Greek Thought (Hardcover, New)
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Frontiers of Pleasure calls into question a number of influential
modern notions regarding aesthetics by going back to the very
beginnings of aesthetic thought in Greece and raising critical
issues regarding conceptions of how one responds to the beautiful.
Despite a recent rebirth of interest in aesthetics, extensive
discussion of this key cluster of topics has been absent.
Anastasia-Erasmia Peponi argues that although the Greek language
had no formal term equivalent to the "aesthetic," the notion was
deeply rooted in Greek thought. Her analysis centers on a dominant
aspect of beauty--the aural--associated with a highly influential
sector of culture that comprised both poetry and instrumental
music, the "activity of the Muses," or mousike. The main argument
relies on a series of close readings of literary and philosophical
texts, from Homer and Plato through Kant, Joyce, and Proust.
Through detailed attention to such scenes as Odysseus' encounter
with the Sirens and Hermes' playing of his lyre for his brother
Apollo, she demonstrates that the most telling moments in the
conceptualization of the aesthetic come in the Greeks' debates and
struggles over intense models of auditory pleasure. Unlike current
tendencies to treat poetry as an early, imperfect mode of
meditating upon such issues, Peponi claims that Greek poetry and
philosophy employed equally complex, albeit different, ways of
articulating notions of aesthetic response. Her approach often
leads her to partial or total disagreement with earlier
interpretations of some of the most well-known Greek texts of the
archaic and classical periods. Frontiers of Pleasure thus suggests
an alternative mode of understanding aesthetics in its entirety,
freed from some modern preconceptions that have become a hindrance
within the field."
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