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The Performing Style of Alexander Scriabin (Paperback)
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The Performing Style of Alexander Scriabin (Paperback)
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When Alexander Nikolayevich Scriabin's music was performed during
his lifetime, it always elicited ecstatic responses from the
listeners. Wilhelm Gericke, conductor of the Vienna opera, rushed
backstage after one of Scriabin's concerts and fell on his knees
crying, 'It's genius, it's genius...'. After the composer's death
in 1915, however, his music steadily lost the captivating appeal it
once held. The main reason for this drastic change in the
listeners' attitude is an enormous gap existing between the printed
scores of Scriabin's music and the way the composer himself played
his works. Apparently, what Scriabin's audiences heard at the time
was significantly different from, and vastly superior to, modern
performances that are based primarily on published scores. Scriabin
recorded nineteen of his compositions on the Hupfeld and
Welte-Mignon reproducing pianos in 1908 and 1910, respectively.
Full score transcriptions of the piano rolls, which are included in
the book, provide many substantial features of Scriabin's
performance: exact pitches and their timing against each other,
rhythms, tempo fluctuations, articulation, dynamics and essential
pedal application. Using these transcriptions and other historical
documents as the groundwork for his research, Anatole Leikin
explores Scriabin's performing style within the broader context of
Romantic performance practice.
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