This is the first full-length monograph on the Baroque novelist
Johann Beer (1655-1700) since Richard Alewyn's discovery of the
author in 1933, and is the first study presenting Beer's entire
narrative production. Alewyn restricted his investigations to a
small number of central texts, leaving a large number of minor
works out of account. The present study takes a different course,
analyzing Beer's entire narrative oeuvre as the changing expression
of a fundamentally consistent narrative intention.
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