In recent years the intersections between art history and
archaeology have become the focus of critical analysis by both
disciplines. Contemporary sculpture has played a key role in this
dialogue. The essays in this volume, by art historians,
archaeologists and artists, take the intersection between sculpture
and archaeology as the prelude for analysis, examining the
metaphorical and conceptual role of archaeology as subject matter
for sculptors, and the significance of sculpture as a
three-dimensional medium for exploring historical attitudes to
archaeology.
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