Based on little-known or hitherto unpublished material and
enhanced by a wealth of rarely seen illustrations, this book offers
access to the aesthetics of neoclassical Europe from a new
perspective: landscape painting and interior decoration. The source
documents, together with the nexus of relationships they helped to
establish, reveal a world shaken by a series of epochal changes.
This study of paintings, drawings, and documents touches on such
themes as the rediscovery of the ancient world, aristocratic homes
in the neoclassical period, and the birth of the rationalist
landscape. While the most important artists are French, the chosen
vantage point is Rome, because of the impact of antiquity on
aesthetic perceptions toward the end of the century. The book
insightfully analyzes the last years of the eighteenth century
through the visual representation of that world, a world that has
been handed down to us through the response of contemporary artists
to momentous changes.
This book portrays drawing as an instrument of knowledge: an
absolute experience, not merely an intermediate phase in the
production of a painting. Anna Ottani Cavina leads us to modernity,
which through the rarefaction of the image, silence, and emptiness
attained heights of emotional and intellectual intensity that
drawing was able to capture with extraordinary immediacy.
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