This book focuses on the collaborative illustrated volumes
published during the Harlem Renaissance, in which African Americans
used written and visual texts to shape ideas about themselves and
to redefine African American identity. Anne Elizabeth Carroll
argues that these volumes show how participants in the movement
engaged in the processes of representation and identity formation
in sophisticated and largely successful ways. Though they have
received little scholarly attention, these volumes constitute an
important aspect of the cultural production of the Harlem
Renaissance. Word, Image, and the New Negro marks the beginning of
a long-overdue recovery of this legacy and points the way to a
greater understanding of the potential of texts to influence social
change.
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