This book examines the work of several modern artists, including
Fortunato Depero, Scipione, and Mario Radice, who were working in
Italy during the time of Benito Mussolini's rise and fall. It
provides a new history of the relationship between modern art and
fascism. The study begins from the premise that Italian artists
belonging to avant-garde art movements, such as futurism,
expressionism, and abstraction, could produce works that were
perfectly amenable to the ideologies of Mussolini's regime. A
particular focus of the book is the precise relationship between
ideas of history and modernity encountered in the art and politics
of the time and how compatible these truly were.
General
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