The relationship between an author's and an audience's
intentions is complex but need not preclude mutual engagement. This
philosophical investigation challenges existing literary and
rhetorical perspectives on intention and offers a new framework for
understanding the negotiation of meaning. It describes how an
audience's intentions affect their interpretations, shows how
audiences negotiate meaning when faced with a writer's
undecipherable intentions, and defines the scope of understanding
within rhetorical situations.
Introducing a concept of intention into literary analysis that
supersedes existing rhetorical theory, Arabella Lyon shows how the
rhetorics of I. A. Richards, Wayne Booth, and Stanley Fish, as well
as the hermeneutics of Hans-Georg Gadamer, fail to account for the
complex interactions of author and audience. Using Kenneth Burke's
concepts of form, motive, and purpose, she builds a more complex
notion of intention than those usually found in literary studies,
then employs her theory to describe how philosophers read
Wittgenstein's narratives, metaphors, and reversals in
argument.
Lyon argues that our differences in intention prevent
consistency in interpretations but do not stop our discussions,
deliberations, and actions. She seeks to acknowledge difference and
the communicative problems it creates while demonstrating that
difference is normal and does not end our engagement with each
other.
Intentions combines recent work in philosophy, literary
criticism, hermeneutics, and rhetoric in a highly imaginative way
to construct a theory of intention for a postmodern rhetoric. It
recovers and renovates central concepts in rhetorical theory--not
only intention but also deliberation, politics, and judgment.
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