"Cinematic Appeals" follows the effect of technological
innovation on the cinema experience, specifically the introduction
of widescreen and stereoscopic 3D systems in the 1950s, the rise of
digital cinema in the 1990s, and the transition to digital 3D since
2005. Widescreen cinema promised to draw the viewer into the world
of the screen, enabling larger-than-life close-ups of already
larger-than-life actors. This technology fostered the illusion of
physically entering a film, enhancing the semblance of realism.
Alternatively, the digital era was less concerned with the viewer's
physical response and more with information flow, awe, and the
reevaluation of spatiality and embodiment. This study ultimately
shows how cinematic technology and the human experience shape and
respond to each other over time.
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