In The Black God Trope and Rhetorical Resistance: A Tradition of
Race and Religion, Armondo R. Collins theorizes Black Nationalist
rhetorical strategies as an avenue to better understanding African
American communication practices. The author demonstrates how black
rhetors using writing about God to create a language that reflects
African Americans’ shifting subjectivity within the American
experience. This book highlights how the Black God trope and Black
Nationalist religious rhetoric function as an embodied rhetoric.
Collins also addresses how the Black God trope functions as a
gendered critique of white western patriarchy, to demonstrate how
an ideological position like womanism is voiced by authors using
the Black God trope as a means of public address. Scholars of
rhetoric, African American literature, and religious studies will
find this book of particular interest.
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