Originally delivered as the prestigious Mellon Lectures on the
Fine Arts in 1995, After the End of Art remains a classic of art
criticism and philosophy, and continues to generate heated debate
for contending that art ended in the 1960s. Arthur Danto, one of
the best-known art critics of his time, presents radical insights
into art's irrevocable deviation from its previous course and the
decline of traditional aesthetics. He demonstrates the necessity
for a new type of criticism in the face of contemporary art's
wide-open possibilities. This Princeton Classics edition includes a
new foreword by philosopher Lydia Goehr.
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