This book not only discloses and examines different functions and
concepts of authorship in fiction and theory from the 1950s and
1960s to the present but it also reveals, at least implicitly, a
trajectory of some of the modes and functions of the novel as a
genre in the last few decades. It argues that the explicit terms of
much of the theoretical and philosophical debate surrounding the
concept of authorship in the moment of High Theory in the 1980s had
already been engaged, albeit often more implicitly, in literary
fictions by writers themselves. This book examines the fortunes of
the authorship debate and the conceptualisations and functions of
authorship before, during, and after the Death of the Author came
to prominence as one of the key foci for the moment of High Theory
in the 1980s.
General
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