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Sculpting Simulacra in Medieval Germany, 1250-1380 (Hardcover, New Ed)
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Sculpting Simulacra in Medieval Germany, 1250-1380 (Hardcover, New Ed)
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Engaging with the imaginative, nonreligious response to Gothic
sculpture in German-speaking lands and tracing high and late
medieval notions of the 'living statue' and the simulacrum in
religious, lay, and travel literature, this study explores the
subjective and intuitive potential inherent in thirteenth- and
fourteenth-century sculpture. It addresses a range of works, from
the oeuvre of the so-called Naumburg Master through
Freiburg-im-Breisgau to the imperial art of Vienna and Prague. As
living simulacra, the sculptures offer themselves to the
imaginative horizons of their viewers as factual presences that
substitute for the real. In perceiving Gothic sculpture as a
conscious alternative to the sacred imago, the book offers a new
understanding of the function, production, and use of
three-dimensional images in late medieval Germany. By blurring the
boundaries between viewers and works of art, between the imaginary
and the real, the sculptures invite the speculations of their
viewers and in this way produce an unstable meaning, perpetually
mutable and alive. The book constitutes the first art-historical
attempt to theorize the idiosyncratic character of German Gothic
sculpture - much of which has never been fully documented - and
provides the first English-language survey of the historiography of
these works.
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