The time is 1927. The place is a run-down recording studio in
Chicago. Ma Rainey, the legendary blues singer, is due to arrive
with her entourage to cut new sides of old favorites. Waiting for
her are her black musician sidemen, the white owner of the record
company, and her white manager. What goes down in the session to
come is more than music. It is a riveting portrayal of black rage .
. . of racism, of the self-hate that racism breeds, and of racial
exploitation . . .
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