Le Flaubert rA(c)el establishes a new concept of realism in
Flaubert research. This re-definition is the result on the one hand
of an occupation with disciplines such as medicine and psychiatry.
On the other, following Hegela (TM)s definition of Romantic art and
Auerbacha (TM)s studies on the gospel and realism, modern
literature has its primal scene in the incarnation and crucifixion.
It is born out of the spirit of an anti-christian Christianity,
which turns out to be a metamorphosis of antique idolatries. Yet
this progressive gestus of a critique of Christianity only provides
one aspect. On the back of this irony, Flaubert establishes modern
literature by unfathomably out-christianising Christianity beyond
all secularisation.
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