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Towards a Harmonic Grammar of Grieg's Late Piano Music - Nature and Nationalism (Paperback)
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Towards a Harmonic Grammar of Grieg's Late Piano Music - Nature and Nationalism (Paperback)
Series: Royal Musical Association Monographs
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The music of Edvard Grieg is justly celebrated for its harmonic
richness, a feature especially apparent in the piano works written
in the last decades of his life. Grieg was enchanted by what he
styled the 'dreamworld' of harmony, a magical realm whose
principles the composer felt remained a mystery even to himself,
and he was not alone, in that the complex nature of late-Romantic
harmony around 1900 has proved a keen source of debate up to the
present day. Grieg's music forms a particularly profitable
repertoire for focusing current debates about the nature of
tonality and tonal harmony. Departing from earlier approaches, this
study is not simply an inventory of Griegian harmonic traits but
seeks rather to ascertain the deeper principles at work governing
their meaningful conjunction, how elements of Grieg's harmonic
grammar are utilised in creating an extended tonal syntax. Building
both on historical theories and more recent developments, Benedict
Taylor develops new models for understanding the complexity of
late-Romantic tonal practice as epitomised in Grieg's music. Such
an investigation casts further valuable light on the twin issues of
nature and nationalism long connected with the composer: the
question of tonality as something natural or culturally constructed
and larger historiographical claims concerning Grieg's apparent
position on the periphery of the Austro-German tradition.
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