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Antonio Lopez Garcia's Everyday Urban Worlds - A Philosophy of Painting (Hardcover)
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Antonio Lopez Garcia's Everyday Urban Worlds - A Philosophy of Painting (Hardcover)
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Antonio Lopez Garcia's Everyday Urban Worlds: A Philosophy of
Painting is the first book to give the famed Spanish artist the
critical attention he deserves. Born in Tomelloso in 1936 and still
living in the Spanish capital today, Antonio Lopez has long
cultivated a reputation for impressive urban scenes-but it is urban
time that is his real subject. Going far beyond mere artist
biography, Benjamin Fraser explores the relevance of multiple
disciplines to an understanding of the painter's large-scale
canvasses. Weaving selected images together with their urban
referents-and without ever straying too far from discussion of the
painter's oeuvre, method and reception by critics-Fraser pulls from
disciplines as varied as philosophy, history, Spanish literature
and film, cultural studies, urban geography, architecture, and city
planning in his analyses. The book begins at ground level with one
of the artist's most recognizable images, the Gran Via, which
captures the urban project that sought to establish Madrid as an
emblem of modernity. Here, discussion of the artist's chosen
painting style-one that has been referred to as a 'hyperrealism'-is
integrated with the central street's history, the capital's famous
literary figures, and its filmic representations, setting up the
philosophical perspective toward which the book gradually develops.
Chapter two rises in altitude to focus on Madrid desde Torres
Blancas, an urban image painted from the vantage point provided by
an iconic high-rise in the north-central area of the city.
Discussion of the Spanish capital's northward expansion complements
a broad view of the artist's push into representations of landscape
and allows for the exploration of themes such as political
conflict, social inequality, and the accelerated cultural change of
an increasingly mobile nation during the 1960s. Chapter three views
Madrid desde la torre de bomberos de Vallecas and signals a turn
toward political philosophy. Here, the size of the artist's image
itself foregrounds questions of scale, which Fraser paints in broad
strokes as he blends discussions of artistry with the turbulent
history of one of Madrid's outlying districts and a continued focus
on urban development and its literary and filmic resonance. Antonio
Lopez Garcia's Everyday Urban Worlds also includes an artist
timeline, a concise introduction and an epilogue centering on the
artist's role in the Spanish film El sol del membrillo. The book's
clear style and comprehensive endnotes make it appropriate for both
general readers and specialists alike.
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