For many people attracted to Eastern religions (particularly Zen
Buddhism), Asia seems the source of all wisdom. As Bernard Faure
examines the study of Chan/Zen from the standpoint of postmodern
human sciences and literary criticism, he challenges this inversion
of traditional "Orientalist" discourse: whether the Other is
caricatured or idealized, ethnocentric premises marginalize
important parts of Chan thought. Questioning the assumptions of
"Easterners" as well, including those of the charismatic D. T.
Suzuki, Faure demonstrates how both West and East have come to
overlook significant components of a complex and elusive tradition.
Throughout the book Faure reveals surprising hidden agendas in the
modern enterprise of Chan studies and in Chan itself. After
describing how Jesuit missionaries brought Chan to the West, he
shows how the prejudices they engendered were influenced by the
sectarian constraints of Sino-Japanese discourse. He then assesses
structural, hermeneutical, and performative ways of looking at
Chan, analyzes the relationship of Chan and local religion, and
discusses Chan concepts of temporality, language, writing, and the
self. Read alone or with its companion volume, "The Rhetoric of
Immediacy," this work offers a critical introduction not only to
Chinese and Japanese Buddhism but also to "theory" in the human
sciences.
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