New essays employing a multitude of approaches to the works of
Kleist, in the process shedding light on our present modernity.
Modernity, according to some views, poses the problem of homo
politicus -- the problem of how to act in a moral universe without
a "master narrative," without a final foundation. From this angle,
the oeuvre of Heinrich vonKleist -- novellas, dramas, and essays --
addresses problems emerging from a new universe of Kantian
provenance, in many ways the same universe we inhabit today. This
volume of new essays investigates Kleist's position in
ourever-changing conception of modernity, employing aesthetic,
narrative, philosophical, biographical, political, economic,
anthropological, psychological, and cultural approaches and
wrestling with the difficulties of historicizingKleist's life and
work. Central questions are: To what extent can the multitude of
breaking points and turning points, endgames and pre-games,
ruptures and departures that permeate Kleist's work and biography
be conceptually bundled together and linked to the emerging
paradigm of modernity? And to what extent does such an approach to
Kleist not only advance understanding of this major German writer
and his work, but also shed light on the nature of our present
modernity? Contributors: Sean Allan, Peter Barton, Hilda Meldrum
Brown, David Chisholm, Andreas Gailus, Bernhard Greiner, Jeffrey L.
High, Anette Horn, Peter Horn, Wolf Kittler, Jonathan W. Marshall,
Christian Moser, Dorothea von Mucke, Nancy Nobile, David Pan,
Ricarda Schmidt, Helmut J. Schneider. Bernd Fischer is Professor of
German at the Ohio State University. Tim Mehigan is Professor of
German in the Department of Languagesand Cultures at the University
of Otago, New Zealand.
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