During the 17th and 18th century musicians' mobilities and
migrations are essential for the European music history and the
cultural exchange of music. Adopting viewpoints that reflect
different methodological approaches and diversified research
cultures, the book presents studies on central scopes, strategies
and artistic outcomes of mobile and migratory musicians as well as
on the transfer of music. By looking at elite and non-elite
musicians and their everyday mobilities to major and minor centers
of music production and practice, new biographical patterns and new
stylistic paradigms in the European East, West and South emerge.
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