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Classical Sanskrit Tragedy - The Concept of Suffering and Pathos in Medieval India (Hardcover)
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Classical Sanskrit Tragedy - The Concept of Suffering and Pathos in Medieval India (Hardcover)
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It is often assumed that classical Sanskrit poetry and drama lack a
concern with the tragic. However, as Bihani Sarkar makes clear in
this book, this is far from the case. In the first study of tragedy
in classical Sanskrit literature, Sarkar draws on a wide range of
Sanskrit dramas, poems and treatises - much of them translated for
the first time into English - to provide a complete history of the
tragic in Indian literature from the second to the fourth
centuries. Looking at Kalidasa, the most celebrated writer of
Sanskrit poetry and drama (kavya), this book argues that
constructions of absence and grief are central to Kalidasa's
compositions and that these 'tragic middles' are much more
sophisticated than previously understood. For Kalidasa, tragic
middles are modes of thinking, in which he confronts theological
and philosophical issues. Through a close literary analysis of the
tragic middle in five of his works, the Abhijnanasakuntala, the
Raghuva?sa, the Kumarasambhava, the Vikramorvasiya and the
Meghaduta, Sarkar demonstrates the importance of tragedy for
classical Indian poetry and drama in the early centuries of the
common era. These depictions from the Indian literary sphere, by
their particular function and interest in the phenomenology of
grief, challenge and reshape in a wholly new way our received
understanding of tragedy.
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