Irish literature in English commands world-wide respect, but it is
rarely discussed in a comparative light. This study of the making
and unmaking of character commences with Balzac's impact on
nineteenth-century Irish fiction. Sheridan Le Fanu links Balzac and
Swedenborg to Yeats, and anticipates Elizabeth Bowen's deployment
of ghost story conventions in the 1940s. Through painterly imagery,
biblical quotation and the distortion of proper names, Le Fanu
shows character to be a self-consuming project. Yeats's Parnell
emerges as a modernist gothic hero of the 1930s. Bowen's The heat
of the day anatomises the problems of identity, bequeathed by
Yeats. Radically revising the idea of a gothic tradition and
traversing two centuries of Irish literary history, Dissolute
characters gives a fluent and detailed account of the emerging
relation between Irish culture, modernism and politics. -- .
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