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Higher Education in Music in the Twenty-First Century (Hardcover)
Loot Price: R4,159
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Higher Education in Music in the Twenty-First Century (Hardcover)
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In this book, the contributors reconsider the fundamentals of Music
as a university discipline by engaging with the questions: What
should university study of music consist of? Are there any aspects,
repertoires, pieces, composers and musicians that we want all
students to know about? Are there any skills that we expect them to
be able to master? How can we guarantee the relevance, rigour and
cohesiveness of our curriculum? What is specific to higher
education in music and what does it mean now and for the future?
The book addresses many of the challenges students and teachers
face in current higher education; indeed, the majority of today's
music students undoubtedly encounter a greater diversity of musical
traditions and critical approaches to their study as well as a
wider set of skills than their forebears. Welcome as these
developments may be, they pose some risks too: more material cannot
be added to the curriculum without either sacrificing depth for
breadth or making much of it optional. The former provides students
with a superficial and deceptive familiarity with a wide range of
subject matter, but without the analytical skills and intellectual
discipline required to truly master any of it. The latter easily
results in a fragmentation of knowledge and skills, without a
realistic opportunity for students to draw meaningful connections
and arrive at a synthesis. The authors, Music academics from the
University of Glasgow, provide case studies from their own
extensive experience, which are complemented by an Afterword from
Nicholas Cook, 1684 Professor of Music at the University of
Cambridge. Together, they examine what students can and should
learn about and from music and what skills and knowledge music
graduates could or should possess in order to operate successfully
in professional and public life. Coupled with these considerations
are reflections on music's social function and universities' role
in public life, concluding with the conviction that a university
education in music is more than a personal investment in one's
future; it contributes to the public good.
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