From the ruins of communism, Boris Groys emerges to provoke our
interest in the aesthetic goals pursued with such catastrophic
consequences by its founders. Interpreting totalitarian art and
literature in the context of cultural history, this brilliant essay
likens totalitarian aims to the modernists' goal of producing
world-transformative art. In this new edition, Groys revisits the
debate that the book has stimulated since its first publication.
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