The economic geography of music is evolving as new digital
technologies, organizational forms, market dynamics and consumer
behavior continue to restructure the industry. This book is an
international collection of case studies examining the spatial
dynamics of today's music industry. Drawing on research from a
diverse range of cities such as Santiago, Toronto, Paris, New York,
Amsterdam, London, and Berlin, this volume helps readers understand
how the production and consumption of music is changing at multiple
scales - from global firms to local entrepreneurs; and, in multiple
settings - from established clusters to burgeoning scenes. The
volume is divided into interrelated sections and offers an engaging
and immersive look at today's central players, processes, and
spaces of music production and consumption. Academic students and
researchers across the social sciences, including human geography,
sociology, economics, and cultural studies, will find this volume
helpful in answering questions about how and where music is
financed, produced, marketed, distributed, curated and consumed in
the digital age.
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