The book looks at how people, things, and new forms of knowledge
created "publics" in early modern Europe, and how publics changed
the shape of early modern society. The focus is on what the authors
call "making publics" the active creation of new forms of
association that allowed people to connect with others in ways not
rooted in family, rank or vocation, but rather founded in voluntary
groupings built on the shared interests, tastes, commitments, and
desires of individuals. By creating new forms of association,
cultural producers and consumers challenged dominant ideas about
just who could be a public person, greatly expanded the resources
of public life for ordinary people in their own time, and developed
ideas and practices that have helped create the political culture
of modernity. Coming from a number of disciplines including
literary and cultural studies, art history, history of religion,
history of science, and musicology, the contributors develop
analyses of a range of cases of early modern public-making that
together demonstrate the rich inventiveness and formative social
power of artistic and intellectual publication in this period.
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