In this book, Carl Goldstein examines the print culture of
seventeenth-century France through a study of the career of Abraham
Bosse, a well-known printmaker, book illustrator, and author of
books and pamphlets on a variety of technical subjects. The
consummate print professional, Bosse persistently explored the
endless possibilities of print - single-sheet prints combining text
and image, book illustration, broadsides, placards, almanacs,
theses, and pamphlets. Bosse had a profound understanding of print
technology as a fundamental agent of change. Unlike previous
studies, which have largely focused on the printed word, this book
demonstrates the extent to which the contributions of an individual
printmaker and the visual image are fundamental to understanding
the nature and development of early modern print culture.
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